Waiting on Wednesday

This meme was hosted by Breaking the Spine and is meant to highlight some great pre-publication books we all can't wait to get our grubby little mitts on. I'm choosing to continue the tradition even though she has stopped.

The Marriage Portrait by Maggie O'Farrell

The book is being released by Knopf on September 6, 2022.

The book's jacket copy says: The author of Hamnet—New York Times best seller and National Book Critics Circle Award winner—brings the world of Renaissance Italy to jewel-bright life in this unforgettable fictional portrait of the captivating young duchess Lucrezia de' Medici as she makes her way in a troubled court.

Florence, the 1550s. Lucrezia, third daughter of the grand duke, is comfortable with her obscure place in the palazzo: free to wonder at its treasures, observe its clandestine workings, and devote herself to her own artistic pursuits. But when her older sister dies on the eve of her wedding to the ruler of Ferrara, Modena and Reggio, Lucrezia is thrust unwittingly into the limelight: the duke is quick to request her hand in marriage, and her father just as quick to accept on her behalf.

Having barely left girlhood behind, Lucrezia must now enter an unfamiliar court whose customs are opaque and where her arrival is not universally welcomed. Perhaps most mystifying of all is her new husband himself, Alfonso. Is he the playful sophisticate he appeared to be before their wedding, the aesthete happiest in the company of artists and musicians, or the ruthless politician before whom even his formidable sisters seem to tremble?

As Lucrezia sits in constricting finery for a painting intended to preserve her image for centuries to come, one thing becomes worryingly clear. In the court’s eyes, she has one duty: to provide the heir who will shore up the future of the Ferranese dynasty. Until then, for all of her rank and nobility, the new duchess’s future hangs entirely in the balance.

Full of the beauty and emotion with which she illuminated the Shakespearean canvas of Hamnet, Maggie O’Farrell turns her talents to Renaissance Italy in an extraordinary portrait of a resilient young woman’s battle for her very survival.

Review: Ghost Wall by Sarah Moss

We have made assumptions about the lives that our distant ancestors lived based on what we've found of their settlements, their tools and utensils, and any writing they might have left behind. Whether we have made correct assumptions may never be known. This does not stop us from reenactments in museum dioramas or even in living history retreats or weekends. Slipping fully into the skin of people who went before us might help us appreciate the advances we've made to ease our lives, or it might bring us to a misguided idea of simpler times for which we yearn. In Sarah Moss' slight, powerful, and dark novella, Ghost Wall, we see the danger in embracing ideas and imagined morals from the past.

Seventeen year old Silvie's family has joined with an experiential anthropology class in Northumberland to live like Britons did in the Iron Age. Silvie's father Bill is a violent, controlling, abusive man and he is determined that their family will live as authentically as possible, even if the anthropology professor and the students cheat at every turn. He wants to erase all signs of modern life, subjugating his wife and daughter in the way that he envisions the Iron Age people did to their women. As the group steps into the lives of the people they are studying, the lines start to blur and the threatening, menacing air gets more and more oppressive.

This is a dark and suffocating work. The tension ratchets up and up as the quotidian gives way to the mystical, to dark history and domestic violence. The atmosphere is well drawn with the clear, detailed natural world counterbalancing Bill as he hides his abuse, lashing out in private, even as he convinces others to go along with him in his sacrificial delusion. It very much a political novel, showing the conservative, xenophobic, brutal, and brutish Bill to be wholly wrong in his desires for a purer time, people, and nation. Unfortunately he is very much a one dimensional character, as are most of the characters here. Only Silvie has any nuance to her character and much of her nuance is thanks to naivete. There are no quotation marks setting off dialogue and multiple characters can speak within the same paragraph, which adds to the confused multiplicity of voices, especially toward the end of the story. Reading this was suffocating and grim but also frustrating from a craft perspective. It was awarded many accolades so obviously my opinion is an outlier.

Review: The Paper Palace by Miranda Cowley Heller

Do you remember your first love? The person you thought you were meant to be with for all time? What broke you up? Do you ever second guess the life you've gone on to lead without them, the relationship you've built, the family you've created? Would you reconnect with this person? More importantly, would you cheat on your spouse with this person? This is just a small sampling of the questions swirling through Miranda Cowley Heller's novel The Paper Palace. The bigger question, perhaps, is what drives main character Elle, in so many of her decisions, and what is right and what is wrong on a grander scale.

Elle, Peter, and their three children are at the Back Woods, the family camp compound that has been a part of Elle's life forever. She's spent a lifetime of summers at this seemingly idyllic retreat. It holds the memory of her first love, her deep love of her sister, and many wonderful times, but it also holds the memory of the neglect and abuse she endured as she grew up. Opening the morning after a transgression she's spent a lifetime working towards, the novel moves back and forth between specific times in Elle's current day and her unspooling past. It is also broken into five sections: Elle, Jonas, Peter, This Summer, and Today, but all of the sections are narrated in the first person by Elle and the novel as a whole is centered on Elle's interiority, how she is torn between the love of her childhood friend, Jonas, and her husband and father of her children, Peter. She has a long and complicated history with Jonas and he knows the darkest parts of her but she has built a good life and wonderful family with Peter.

The writing here is quite beautiful, visual, and sensory, and it evokes the Back Woods wonderfully. It makes sense that Elle would face her personal conundrum in the place she is both the most comfortable and uncomfortable. The long tale of her past, including the trauma, rape, and sexual abuse she endured, are inextricably woven together with her friendship and eventual love of Jonas but their actual connection isn't fleshed out enough to make the years delayed infidelity understandable. To be fair, none of the characters were engaging enough that the reader cares about their interactions with each other, making Elle's question of whether to stay with her husband or to leave him for Jonas less gripping than it might have otherwise been. The novel tackles a lot through the lens of marriage and divorce but it also addresses some pretty taboo subjects (incest, rape, ongoing sexual abuse, neglect) and the ways that these traumas impact someone for their entire life. All of this is believable but somehow, it was still hard to connect with the novel as a whole. The end is ambiguous in a way that you can argue either outcome, which really mirrors the entirety of the novel and as such is probably quite appropriate. This is a very polarizing novel and it is does get rather graphic so while readers might want to read it to decide for themselves, know that some scenes will really disturb some people.

Review: Leave No Trace by Mindy Mejia

I rarely read anything billed as a thriller. Occasionally I end up with one though and I hate to let a book go without reading it (hence my ridiculous backlog of unread books). So when my daughter asked to read this one, I knew I’d have to read it myself before sending it off to her. Luckily for me, this wasn’t the most thriller-y thriller ever.

Maya Stark is an assistant speech therapist who works at the Congdon Psychiatric Facility when a mute young man is brought in. Lucas Blackthorn is that young man. He and his father disappeared into the Boundary Waters a decade prior and were presumed dead. He is apprehended robbing a local convenience store and he turns violent, leading to his admission to Congdon. Maya is asked to work with Lucas to try and get a response from him. In working with Lucas, she not only has to help him but she has to face her own troubled past.

Maya narrates the story, uncovering the trauma in both Lucas and herself, examining society’s idea and definition of mental illness and the terrible legacy of abandonment. The premise of the novel is an interesting one but the book certainly asks the reader to suspend disbelief a lot and to ignore some pretty big ethical issues with Maya and Lucas’ burgeoning relationship. Their bond is very definitely an uncomfortable one. There are some surprising twists to the story, even if they are too coincidental. The depictions of the wilds of the Boundary Waters are beautifully done and Mejia does make the story suspenseful and sometimes shocking as well. However, the ending is tied up very neatly in ways that don’t quite feel earned. Readers who enjoy survivalist stories where someone has to interact with society after being off the grid for so long might appreciate this one.

Waiting on Wednesday

This meme was hosted by Breaking the Spine and is meant to highlight some great pre-publication books we all can't wait to get our grubby little mitts on. I'm choosing to continue the tradition even though she has stopped.

The Fortunes of Jaded Women by Carolyn Huynh

The book is being released by Atria on September 6, 2022.

The book's jacket copy says: For fans of Jonathan Tropper, KJ Dell’Antonia, and Kevin Kwan, this “sharp, smart, and gloriously extra” (Nancy Jooyoun Kim, The Last Story of Mina Lee) debut follows a family of estranged Vietnamese women—cursed to never know love or happiness—as they reunite when a psychic makes a startling prediction.

Everyone in Orange County’s Little Saigon knew that the Duong sisters were cursed.

It started with their ancestor, Oanh, who dared to leave her marriage for true love—so a fearsome Vietnamese witch cursed Oanh and her descendants so that they would never find love or happiness, and the Duong women would give birth to daughters, never sons.​

Oanh’s current descendant Mai Nguyen knows this curse well. She’s divorced, and after an explosive disagreement a decade ago, she’s estranged from her younger sisters, Minh Pham (the middle and the mediator) and Khuyen Lam (the youngest who swears she just runs humble coffee shops and nail salons, not Little Saigon’s underground). Though Mai’s three adult daughters, Priscilla, Thuy, and Thao, are successful in their careers (one of them is John Cho’s dermatologist!), the same can’t be said for their love lives. Mai is convinced they might drive her to an early grave.

Desperate for guidance, she consults Auntie Hua, her trusted psychic in Hawaii, who delivers an unexpected prediction: this year, her family will witness a marriage, a funeral, and the birth of a son. This prophecy will reunite estranged mothers, daughters, aunts, and cousins—for better or for worse.

A multi-narrative novel brimming with levity and candor, The Fortunes of Jaded Women is about mourning, meddling, celebrating, and healing together as a family. It shows how Vietnamese women emerge victorious, even if the world is against them.

Waiting on Wednesday

This meme was hosted by Breaking the Spine and is meant to highlight some great pre-publication books we all can't wait to get our grubby little mitts on. I'm choosing to continue the tradition even though she has stopped.

Dispatches from the Gilded Age by Julia Reed

The book is being released by St. Martin's Press on August 23, 2022.

The book's jacket copy says: Dispatches from the Gilded Age is a collection of essays by Julia Reed, one of America's greatest chroniclers.

In the middle of the night on March 11, 1980, the phone rang in Julia Reed’s Georgetown dorm. It was her boss at Newsweek, where she was an intern. He told her to get in her car and drive to her alma mater, the Madeira School. Her former headmistress, Jean Harris, had just shot Dr. Herman Tarnower, The Scarsdale Diet Doctor. Julia didn’t flinch. She dressed, drove to Madeira, got the story, and her first byline and the new American Gilded Age was off and running.

The end of the twentieth century and the beginning of the twenty-first was a time in which the high and the low bubbled furiously together and Julia was there with her sharp eye, keen wit, and uproariously clear-eyed way of seeing the world to chronicle this truly spectacular era. Dispatches from the Gilded Age is Julia at her best as she profiles Andre Leon Talley, Sister Helen Prejean, President George and Laura Bush, Madeleine Albright, and others. Readers will travel to Africa and Cuba with Julia, dine at Le Bernardin, savor steaks at Doe’s Eat Place, consider the fashions of the day, get the recipes for her hot cheese olives and end up with the ride of their lives through Julia’s beloved South.

With a foreword by Roy Blount, Jr. and edited by Julia's longtime assistant, Everett Bexley.

Waiting on Wednesday

This meme was hosted by Breaking the Spine and is meant to highlight some great pre-publication books we all can't wait to get our grubby little mitts on. I'm choosing to continue the tradition even though she has stopped.

The Manhattan Girls by Gill Paul

The book is being released by William Morrow Paperbacks on August 16, 2022.

The book's jacket copy says: It’s a 1920s version of Sex and the City, as Dorothy Parker—one of the wittiest women who ever wielded a pen—and her three friends navigate life, love, and careers in New York City. Perfect for fans of Fiona Davis, Beatriz Williams, and Renée Rosen.

NEW YORK CITY 1921: The war is over, fashions are daring, and bootleg liquor is abundant. Here four extraordinary women form a bridge group that grows into a firm friendship.

Dorothy Parker: renowned wit, member of the Algonquin Round Table, and more fragile than she seems. Jane Grant: first female reporter for the New York Times, and determined to launch a new magazine she calls The New Yorker. Winifred Lenihan: beautiful and talented Broadway actress, a casting-couch target. And Peggy Leech: magazine assistant by day, brilliant novelist by night.

Their romances flourish and falter while their goals sometimes seem impossible to reach and their friendship deepens against the backdrop of turbulent New York City, where new speakeasies open and close, jazz music flows through the air, and bathtub gin fills their glasses.

They gossip, they comfort each other, and they offer support through the setbacks. But their biggest challenge is keeping their dear friend Dottie safe from herself.

In this brilliant new novel from the bestselling and acclaimed author of Jackie and Maria and The Secret Wife, readers will fall right into Jazz Age New York and into the inner lives of these groundbreaking, influential women.