Written in 1990 about his 1988 trip to Mauritania, a West African country slowly succumbing to desertification from the encroaching Sahara, this is a travelogue in the truest sense. Hudson goes to the country, visiting cities, villages, and Bedouin camps, meeting people of all classes, and taking his time to learn about and absorb the uniqueness of each place he visits. He makes friends easily and those friends not only offer him their perspective of their country and fellow men but also direct him on his wide travels. He sees parts of the country not often visited by foreign travelers and while he reports on the people he encounters and what he sees, he works hard to understand everything from a place beyond his own innate prejudices. Mostly he succeeds. The writing is very visual but there are also black and white photographs and line drawings to reinforce the pictures in the reader's mind's eye. The pacing of the narrative is slow, as if the reader is plodding through the sand with Hudson and sometimes that can feel a bit interminable but his genuine interest in the culture and people help to make up for this. Little actually happens throughout the book but Hudson has drawn a richly complex picture of a little-considered-by-the-West country for those curious to learn about it (at least as it was four decades or so ago).
Thursday, September 22, 2022
Review: Travels in Mauritania by Peter Hudson
Written in 1990 about his 1988 trip to Mauritania, a West African country slowly succumbing to desertification from the encroaching Sahara, this is a travelogue in the truest sense. Hudson goes to the country, visiting cities, villages, and Bedouin camps, meeting people of all classes, and taking his time to learn about and absorb the uniqueness of each place he visits. He makes friends easily and those friends not only offer him their perspective of their country and fellow men but also direct him on his wide travels. He sees parts of the country not often visited by foreign travelers and while he reports on the people he encounters and what he sees, he works hard to understand everything from a place beyond his own innate prejudices. Mostly he succeeds. The writing is very visual but there are also black and white photographs and line drawings to reinforce the pictures in the reader's mind's eye. The pacing of the narrative is slow, as if the reader is plodding through the sand with Hudson and sometimes that can feel a bit interminable but his genuine interest in the culture and people help to make up for this. Little actually happens throughout the book but Hudson has drawn a richly complex picture of a little-considered-by-the-West country for those curious to learn about it (at least as it was four decades or so ago).
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