The fifteen stories presented here vary wildly in length and they use different narrative techniques, including the very difficult to pull off second person narration, but each of them is pervaded by a sense of melancholy and loss. The two best stories bookend the collection (the eponymous The Lovers Set Down Their Spoons and Before the Story Ends). Many of the stories feel emotionally reserved, both in terms of the characters and the writing and some of them veer into the decidely odd, like Iris and the Inevitable Sorrow, or the Knock at the Door, which inexplicably ends in a surreal and strange Kafkaesque scenario. Most of the stories touch the everyday realities of love and relationship and the ways in which we lose a little of ourselves in the mundane reality of living. Often the stories peter out or just fade off, as do the relationships they chronicle. In the case of Correction, this is done masterfully and perfectly finishes the story. In other stories it is more frustrating than successful. Slomski's is definitely a good writer but some of the chances she took in this sometimes experimental collection make it a very mixed bag. The bones are there but there's still a bit of tarnish on these spoons.
Friday, March 13, 2015
Review: The Lovers Set Down Their Spoons by Heather A. Slomski
The fifteen stories presented here vary wildly in length and they use different narrative techniques, including the very difficult to pull off second person narration, but each of them is pervaded by a sense of melancholy and loss. The two best stories bookend the collection (the eponymous The Lovers Set Down Their Spoons and Before the Story Ends). Many of the stories feel emotionally reserved, both in terms of the characters and the writing and some of them veer into the decidely odd, like Iris and the Inevitable Sorrow, or the Knock at the Door, which inexplicably ends in a surreal and strange Kafkaesque scenario. Most of the stories touch the everyday realities of love and relationship and the ways in which we lose a little of ourselves in the mundane reality of living. Often the stories peter out or just fade off, as do the relationships they chronicle. In the case of Correction, this is done masterfully and perfectly finishes the story. In other stories it is more frustrating than successful. Slomski's is definitely a good writer but some of the chances she took in this sometimes experimental collection make it a very mixed bag. The bones are there but there's still a bit of tarnish on these spoons.
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