Friday, November 10, 2017

Review: Plaid and Plagiarism by Molly MacRae

I have a wee bit of a fascination with Scotland and I've been trying hard to broaden my horizons with my reading lately so Molly MacRae's Plaid and Plagiarism, a Scottish Highlands set cozy mystery (a genre I rarely read) where the amateur sleuths have bought a bookshop should be a perfect way to ease into something not in my usual way of things, right? It certainly should have so I'm left wondering if it was the book or if it was me or some unfortunate combination of the two since the bones and the desire were there (so appropriate a phrase given a mystery, no?).

American Janet Marsh, her best friend Christine, Janet's daughter Tallie, and Tallie's college roommate Summer, have bought a Scottish bookshop called Yon Bonnie Books and are embarking on second careers as book sellers in the quaint Highlands town, Inversgail, where Christine grew up. Janet and her family used to spend summers in Inversgail and Janet ended up with the cottage they summered in after her divorce from her ex, The Rat. The four women, who used to be a librarian, a social worker, a reporter, and a lawyer respectively, plan to learn the book selling business from the former owners Kenneth and Pamela. They are also renovating the upstairs as a B and B and next door as a tea shop. When they first arrive, Janet, who is truly the main character and who the narrative focus is mostly on, discovers that she and Tallie cannot move into her cottage because it has been vandalized. The realtor is convinced that the local agony aunt, Una Graham, who wants desperately to be an investigative reporter, is behind the vandalism. But then Una's body, a sickle in her neck, turns up in the ugly shed at the back of Janet's garden. Secrets come to light showing that almost everyone in town had a reason to dislike Una so figuring out who disliked her enough to actually kill her won't be easy. As Una's body is found at Janet's and as the bookshop is also involved, the four new owners team up to try and discover the murderer at the same time they are trying to get ready for the local Inversgail Literary Festival and navigate the tensions in the local literary community.

As the first in a new series, MacRae introduced a lot of characters here in addition to her four bookshop owners. Creating so many characters and trying to give them each enough of a backstory that she wasn't just introducing names with no identifying characteristics, she also had to add plot thread after plot thread. This might have worked better with fewer secondary characters, waiting to introduce some of the locals later on in the series. As it was, there were too many characters and not enough fleshing out of those most important to this first book. The narrative pacing was uneven, slow and drawn out in the beginning and too quick in the end. The constant rehashing of what each of the four women knew took away from the story and could easily have been skipped. Their sleuthing was rather scattershot, making it surprising that they figured out who the murderer was (although on the plus side, the who of it was a surprise to the reader). In fact the plot, the characters, and the book as a whole could have used a lot of tightening up. I really did want to like this but found myself easily distracted from the story and had a hard time settling back down into it each time I picked it up. If you are a cozy mystery reader and are used to the long build up in the first of a series, you might appreciate this one enough to pick up the second. For me though, I just don't think I'm cut out for the slow start, or maybe mysteries are never going to be my thing.

Thursday, November 9, 2017

Review: Heating and Cooling by Beth Ann Fennelly

OK, a little bit of real talk here. $23.00 for a slender, little, less than 100 pages of text, hard cover book of "micro-memoirs"? What insanity is this? Surely this is a ridiculous price for something so physically insubstantial, right? I mean, the book, even with the bulk of the hard cover, is but the size of a paperback and with those few pages, well... And yet in my usual inimitable fashion, I ignored the price and bought it anyway. I can say that it was worth every penny. I read aloud from it to people I was with the weekend I bought it and raved with an unseemly enthusiasm, even to people who clearly wished me to stuff a sock in it already. Mississippi state poet laureate Beth Ann Fennelly's Heating and Cooling, a collection of "micro-memoirs," tiny memoirs akin to short stories or flash fiction, is funny and thoughtful, real and subtle, surprising and economical. She shares insights into her life in childhood and as an adult, into her marriage, into her parenting, and into memory, and she manages to do it in fewer words than I'm likely to use in this review.

Each micro-memoir is a short, tiny jewel, self-contained and complete within itself but a vital part of the whole. The book is not arranged chronologically and each piece runs from one sentence to no more than five pages. Fennelly's prose is spare and succinct and each word and idea are carefully considered with perfect turns of phrase. The book is deceptively simple, each instance building on the previous one, until the full impact of the memoir hits you. Some of the pieces are delightful, full of joy and love, and some are disturbing, telling of terrible, hidden things. My personal favorite will have me checking page 50 in all of my books for a long time to come. Bit by glorious bit each brief part reveals something more about Fennelly and about the experiences in life that have made her who she is. I couldn't stop turning the pages even as I willed myself to slow down and savor the writing. In the blink of an eye I'd come to the end of this magnificent, intimate book wishing that Fennelly lived next door to me so we could be friends. Read it. You won't be sorry.

Wednesday, November 8, 2017

Review: The Little French Bistro by Nina George

There's something so charming about the idea of moving to a small Breton village by the sea and starting a new life, right? If a person could be happy anywhere surely this would be the place. And if a person came to it unhappy with life, sad to her very soul, this would, without a doubt, be the perfect place of healing. Nina George's newest novel, The Little French Bistro, is set in one such place in Brittany.

Marianne Lanz is in her sixties but sounds older because she is tired and beaten down. She's trapped in a loveless marriage with a controlling husband and on a trip to Paris, she decides that she's through with life and determines to commit suicide by jumping off a bridge into the Seine. Rescued by a bystander, she is taken to the hospital where her husband roundly chastises her for her seemingly impetuous and, to him, deeply embarrassing attempt before leaving her there so he can catch the bus back to Germany. She can find her own way home. Instead, inspired by a lovely, small, hand painted tile she finds by the nurses' station, Marianne runs away from the hospital, heading to the Port de Kerdruc depicted on the tile, thinking that it would be a beautiful place to die. Once again she survives her attempt.  Fished out of the water by a local fisherman and accepted by the local people despite an initial wariness, she settles in to make her home in this quaint and picturesque town. Kerdruc would be a beautiful place to die but Marianne quickly finds that it's an even more beautiful place to live.

This is very much a novel about second chances. Marianne finds the strength to stand up to her bully of a husband, emerging from lifelong oppression and carving out her own life in a new and welcoming place. In this she is inspirational but in presentation, this is more like a fairy tale than real life. And that's fine if that's what you want to read but the story brings up some very dark issues that shouldn't be so easily solved. Marianne is the character whose journey of discovery and starting over is the most obvious but each of the friends she makes in Kerdruc has a problem to solve or a situation to change so that they too can embrace life and reach for love. The secondary characters are all amiable and winsome and their kindness is clearly the most important thing in helping Marianne to heal but sometimes they blur together, not being quite as differentiated as they should be. The story is ultimately simple and life-affirming. Those readers looking for a warm, feel-good novel writ in soft focus will find this delightful and hopeful despite the darker undertones.

Thanks to LibraryThing Early Reviewers and the publisher for sending me a copy of this book for review.

Waiting on Wednesday

This meme is hosted by Breaking the Spine and is meant to highlight some great pre-publication books we all can't wait to get our grubby little mitts on.

The Temptation to be Happy by Lorenzo Marone.

The book is being released by Oneworld Publications on November 14, 2017.

Amazon says this about the book: Cesare is 77 years old, a widower and cynical troublemaker, a man who has always had trouble caring for others and has given up trying. Aside from an intermittent fling with a mature nurse called Rossana, who moonlights as a sex worker, he prefers to live his own life, avoiding contact with his neighbors and even his own children wherever possible. Until one day, the enigmatic Emma moves into the neighboring flat.

Emma is ​​married to a strange and sinister man. A man that seems so different from Emma. As Cesare investigates, and starts to uncover the truth of their relationship, he begins to rediscover an appetite for life, and soon he finds himself risking everything for a future he had never thought possible.

Monday, November 6, 2017

It's Monday! What Are You Reading?

This meme is hosted by Kathryn at Reading Date.

Books I completed this past week are:

The Welcome Home Diner by Peggy Lampman
A Well-Made Bed by Abby Frucht and Laurie Alberts
Kiss of the Highlander by Karen Marie Moning
Emily Goes to Exeter by M.C. Beaton

Bookmarks are still living in the middle of:

The Children's Crusade by Ann Packer
The Lake House by Kate Morton
Shelter by Jung Yun
The Center of the World by Jacqueline Sheehan
A Manual For Cleaning Women by Lucia Berlin
The Beauty of the End by Debbie Howells
Country of Red Azaleas by Domnica Radulescu
A Hard and Heavy Thing by Matthew J. Hefti
Paint Your Wife by Lloyd Jones
The Company They Kept edited by Robert B. Silvers and Barbara Epstein
No One Can Pronounce My Name by Rakesh Satyal
Thousand-Miler by Melanie Radzicki McManus
Dear Fang, With Love by Rufi Thorpe
Close Enough to Touch by Colleen Oakley
America's First Daughter by Stephanie Dray and Laura Kamoie
Hope Has Two Daughters by Monia Mazigh
After the Bloom by Leslie Shimotakahara
Metis Beach by Claudine Bourbonnais
Smoke by Dan Vyleta
Coco Chanel by Lisa Chaney
Less by Andrew Sean Greer
The New York Time Footsteps by various authors

Reviews posted this week:

The It Girls by Karen Harper
The Welcome Home Diner by Celeste Ng
Every Anxious Wave by Mo Daviau

Books still needing to have reviews written (as opposed to the ones that are simply awaiting posting):

To Love the Coming End by Leanne Dunic
The Peculiar Life of a Lonely Postman by Denis Theriault
A Loving, Faithful Animal by Josephine Rowe
City Mouse by Stacey Lender
Cutting Back by Leslie Buck
Siracusa by Delia Ephron
The Wife, the Maid, and the Mistress by Ariel Lawhon
A Narrow Bridge by J.J. Gersher
The Never-Open Desert Diner by James Anderson
The Heart of Henry Quantum by Pepper Harding
The Hearts of Men by Nickolas Butler
Dance of the Jakaranda by Peter Kimani
How to Survive a Summer by Nick White
Bramton Wick by Elizabeth Fair
The Finishing School by Joanna Goodman
Meet Me in the In-Between by Bella Pollen
All Grown Up by Jami Attenberg
The Island of Books by Dominique Fortier
Lights On, Rats Out by Cree LeFavour
Salt Houses by Hala Alyan
Him, Me, Muhammad Ali by Randa Jarrar
What Are the Blind Men Dreaming? by Noemi Jaffee
Girl in Snow by Danya Kukafka
The Lying Game by Ruth Ware
The Talker by Mary Sojourner
When the Sky Fell Apart by Caroline Lea
The Seven Husbands of Evelyn Hugo by Taylor Jenkins Reid
'Round Midnight by Laura McBride
The German Girl by Armando Lucas Correa
The Tea Girl of Hummingbird Lane by Lisa See
The Jane Austen Project by Kathleen A. Flynn
Last Things by Marissa Moss
All Our Wrong Todays by Elan Mastai
Civilianized by Michael Anthony
The Redemption of Galen Pike by Carys Davies
Woman No. 17 by Edan Lepucki
In the Woods of Memory by Shun Medoruma
Before the Wind by Jim Lynch
Dinner with Edward by Isabel Vincent
Inhabited by Charlie Quimby
Pachinko by Min Jin Lee
One Good Mama Bone by Bren McClain
The Excellent Lombards by Jane Hamilton
You and I and Someone Else by Anna Schachner
Meantime by Katharine Noel
The Portrait by Antoine Laurain
So Much Blue by Perceval Everett
The Velveteen Daughter by Laurel Davis Huber
Mothers and Other Strangers by Gina Sorell
This Must Be the Place by Maggie O'Farrell
How to Find Love in a Bookshop by Veronica Henry
Between Them by Richard Ford
Kinship of Clover by Ellen Meeropol
The Life She Was Given by Ellen Marie Wiseman
The Clay Girl by Heather Tucker
Morningstar by Ann Hood
Lucky Boy by Shanthi Sekaran
Song of Two Worlds by Alan Lightman
The Heart's Invisible Furies by John Boyne
Old Herbaceous by Reginald Arkell
The Original Ginny Moon by Benjamin Ludwig
A Season of Ruin by Anna Bradley
Incontinent on the Continent by Jane Christmas
We Were the Lucky Ones by Georgia Hunter
Broccoli and Other Tales of Food and Love by Lara Vapnyar
The Little French Bistro by Nina George
Sourdough by Robin Sloane
A Paris All Your Own edited by Eleanor Brown
The Rook by Daniel O'Malley
Living the Dream by Lauren Berry
Lawyer for the Dog by Lee Robinson
Lily and the Octopus by Stephen Rowley
Plaid and Plagiarism by Molly MacRae
Beginner's Guide to a Head-On Collision by Sebastian Matthews
The Woman in Cabin 10 by Ruth Ware
Heating and Cooling by Beth Ann Fennelly
Little Fires Everywhere by Celeste Ng
A Well-Made Bed by Abby Frucht and Laurie Alberts
Kiss of the Highlander by Karen Marie Moning
Emily Goes to Exeter by M.C. Beaton

Monday Mailbox

This past week's mailbox arrivals

Transit by Rachel Cusk came from Farrar, Straus and Giroux.

I am intrigued by any book that uproots a family (mother and two children) and causes them to have to examine what it means to live and be alive.

Lillian Boxfish Takes a Walk by Kathleen Rooney came from St. Martin's Press.

I enjoy books where the main character takes a wander, not only giving the reader the present day but reminiscing about the history of place and time as well as jaunting through their own personal past and memories so I am really looking forward to this one.

If you want to see the marvelous goodies in other people's mailboxes, make sure to visit Mailbox Monday and have fun seeing how we are all doing our part to keep the USPS and delivery services viable.

Saturday, November 4, 2017

Review: Every Anxious Wave by Mo Daviau

Book clubs are supposed to push you outside of your comfort zone so I occasionally suggest books to my book club that will do just that for me. In the case of Mo Daviau's Every Anxious Wave, I am neither a big music person nor a time travel reader so this was meant to stretch me in a couple of ways while still having enough familiar things in it to still keep me reading. (Do I know how to choose books outside my bubble or what?) And my book club, which is made up of people who are pretty like minded, agreed to go down this path with me.

Karl Bender is the former guitarist for the 90s indie rock band Axis and now owns a bar in Chicago. He is jaded and cynical but he does manage to have one friend, Wayne, a computer scientist. When Karl accidentally stumbles into a wormhole in the back of his closet, he tells Wayne about it and Wayne figures out a way to harness the energy of the wormhole. The two set up a business sending people back in time to see epic concerts they missed or ones they want to revisit. And that might have been all that happened with this odd portal until Karl sends Wayne to 980 Mannahatta instead of 1980 Manhattan. One typo and he's sent his best and only friend to a place where there's no power source to tap into to bring him back. Luckily Wayne can still communicate with the present via text and he suggests that Karl find an expert to help bring him back. So Karl looks through the Northwestern website and chooses astrophysics PhD student Lena Geduldig, mainly because she doesn't look like a stereotypical astrophysicist with her blue streaked hair and her band t-shirt. Karl might have lost Wayne but now he's got Lena and she comes with a freight train of her own baggage. Yet when these two people meet and start traveling to concerts together (leaving the issue of retrieving Wayne aside for the moment), they fall into a relationship. Eventually, like Wayne's desire to meddle in the past to save John Lennon's life, the impulse that landed him in 980, Lena wants to go back in time and change things about her own past, jeopardizing what she and Karl have and leading to the question whether we can or should right past wrongs if we have the chance.

Karl narrates the entire novel so that the reader is spared highly technical and detailed explanations of how the time travel portal works and how first Wayne and then Lena have harnessed its power. Asking the reader to simply suspend disbelief might be fine except that once time moves forward and backwards and spirals around itself, it can and does get confusing without any sort of grounding to explain it. in fact, I'm still not entirely certain where in the timeline we are at the end of the book. Neither Karl nor Lena are particularly appealing characters and their chemistry as a couple, at all points in the novel, is mostly missing or terrifically one-sided which makes it hard to root for Karl as he attempts to recapture a love that wasn't all that believable in the first place. I'm pretty certain I missed most of the music, band, and pop culture references. For those who catch the name drops and references, I suspect the story would be a more nostalgic, quirky romp than it was for me. The second half of the novel is much darker than the first half and deals with much weightier issues like rape, loss, fat acceptance, love, and belonging. I really wanted to thoroughly enjoy this book, to prove to myself that my little reading bubble could easily expand if I was intrigued enough with the underlying themes but it didn't click with me as much as I'd hoped. Maybe it's because of my usual reading preferences. Or maybe not. If you don't mind your characters on the emo side, you are an indie music geek, and you aren't too fussed by time travel that just is, you might really enjoy this book in ways I just couldn't.

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