Monday, October 31, 2022

Review: Godmersham Park by Gill Hornby

Anne Sharp was a real person. She was young Fanny Austen's governess. And she did develop a lifetime friendship with Fanny's aunt, Jane Austen. Those are the facts we know. We do not know what brought her to working as a governess and what her early life was like but luckily we have Gill Hornby, who has imagined a rich and interesting backstory for Anne and fleshed out her life at Godmersham Park, the inherited home of Edward Austen (eventually known as Edward Austen Knight). Godmersham Park is not a story of Jane Austen. It is a story of Anne Sharp, who became her friend but who lived the kind of life that so many women without male protectors or kind relatives might face in that time.

Anne Sharp is 31 years old. Her mother has died and her adoring father has inexplicably abandoned her. Gently raised and alone in the world save her old nurse, she has few options for her future life. She can accept the marriage proposal from the leering and odious lawyer who tells her of her straightened circumstances or she can take one of the only other avenues available to an educated woman in the early 1800s in England: she can become a governess. Although being a governess is a rather tenuous position, neither upstairs nor downstairs and employed completely at the discretion of the master or mistress of the house, it is still a respectable position. Anne takes up her first post at Godmersham Park, the Kent estate of Edward Austen, as the governess to 12 year old Fanny Austen, the oldest child and daughter of the house.

As Anne settles into her role as governess she must learn her place adjacent to the family. She suffers the animus of many of the other servants but she genuinely likes her charge and finds life at Godmersham Park mostly comfortable and untaxing. She is lonely though. She doesn't entirely approve of Henry Austen, Mr. Edward's good humored and playful brother who visits often. He is much beloved by the family and while Anne sometimes enjoys sparring with him, she is also always cognizant of her place and incredibly frustrated when he teasingly crosses lines that could cost her. When the newly widowed Mrs. Austen, Cassandra Austen, and Jane Austen come to Kent, Anne's intellect can shine and she revels in their comfortable and welcoming company. But that shining may be one more piece in her eventual downfall.

Hornby has created an intriguing and certainly possible backstory for Anne Sharp. The narrative goes back and forth between the present of Anne's life in the Austen household and her past as she tries to understand why she has been forsaken by her father. The reason is quite obvious to the reader though, even if not to Anne. There are glimpses of Anne's skill as a teacher and her great understanding of the pitfalls of being a woman in her time, especially one who has no wish to marry. She is both an advocate for women's right to self-determination and freedom and very cognizant of reality. The book is historically accurate and Hornby has woven fact and fiction together seamlessly, using Fanny's childhood diaries as a major source for her characterizations. This is not a Jane story but it is smart and compelling (and sometimes horrific) and gives an intriguing glimpse into the well to do life of Edward Austen, his family, and into the life of an intelligent and perceptive governess during her two years with such a family.

For more information about Gill Hornby and the book, follow her on Twitter orInstagram, look at the book's Goodreads page, or look at the reviews for others' thoughts and opinions on the book.

Thanks to Laurel Ann from Austenprose and publisher Pegasus Books for sending me a copy of the book to review.

It's Monday! What Are You Reading?

Not my best week in terms of moving things off the tbr mountain! This meme is hosted by Kathryn at Reading Date.

Books I completed over the past week:

The Wicked Deep by Shea Ernshaw
The Swimmers by Julie Otsuka
Godmersham Park by Gill Hornby
The Finder by Will Ferguson
Sandman by Bob Drews

Bookmarks are still living in the middle of:

The Wings of the Dove by Henry James
Book of Extraordinary Tragedies by Joe Meno
We Ride Upon Sticks by Quan Barry
What We Talk About When We Talk About Dumplings edited by John Lorinc

Reviews posted this week:

Libertie by Kaitlyn Greenidge
Other People's Children by R.J. Hoffmann

Books still needing to have reviews written (as opposed to the ones that are simply awaiting posting):

Imperfect Birds by Anne Lamott
Shades of Milk and Honey by Mary Robinette Kowal
Tiddas by Anita Heiss
The Tourist Attraction by Sarah Morgenthaler
Finlay Donovan Knocks 'Em Dead by Elle Cosimano
The Man Who Died Twice by Richard Osman
The Night Always Comes by Willy Vlautin
If I Were You by Lisa Renee Jones
McMullen Circle by Heather Newton
Dangerous Alliance by Jennieke Cohen
Donut Fall in Love by Jackie Lau
Twenty-One Truths About Love by Matthew Dicks
The Love Hypothesis by Ali Hazelwood
Home Repairs by Trey Ellis
Skinny Bitch in Love by Kim Barnouin
Looking for a Weegie to Love by Simon Smith
This Is Going To Hurt by Adam Kay
A Psalm for the Wild-Built by Becky Chambers
Love and Saffron by Kim Fay
The Wonderful Flight to the Mushroom Planet by Eleanor Cameron
Shady Hollow by Juneau Black
Four Gardens by Margery Sharp
Cloud Cuckoo Land by Anthony Doerr
Uncommon Measure by Natalie Hodges
Jane of Hearts by Katharine Weber
Laura Rider's Masterpiece by Jane Hamilton
Surviving Savannah by Patti Callahan
Chivalry by Neil Gaiman and Colleen Doran
Olga Dies Dreaming by Xochitl Gonzalez
She Is Haunted by Paige Clark
A Woman's Place by Marita Golden
Murder Above the Silver Waves by Blythe Baker
Disorientation by Elaine Hsieh Chou
Easy Beauty by Chloe Cooper Jones
The Witches of New York by Ami McKay
The Desert Smells Like Rain by Gary Paul Nabhan
Stay Gone Days by Steve Yarbrough
The Mason House by T. Marie Bertineau
A Map for the Missing by Belinda Huijuan Tang
Just One Taste by Louisa Edwards
The Good Byline by Jill Orr
Truth and Other Lies by Maggie Smith
Dance of the Returned by Devon A. Mihesuah
Like a Drop of Ink in a Downpour by Yelena and Galina Lembersky
The Woman They Could Not Silence by Kate Moore
These Precious Days by Ann Patchett
Tomorrow in Shanghai by May-Lee Chai
What's Mine and Yours by Naima Coster
Geographies of the Heart by Caitlin Hamilton Summie
Setting Fire to Water by Phoebe Tsang
My Days of Dark Green Euphoria by A. E. Copenhaver
Last Summer on State Street by Toya Wolfe
My Monticello by Jocelyn Nicole Johnson
Provenance by Sue Mell
I Will Die in a Foreign Land by Kalani Pickhart
The Two Lives of Sara by Catherine Adel West
A Girlhood: Letter to My Transgender Daughter by Carolyn Hays
The End We Start From by Megan Hunter
The Hawk's Way by Sy Montgomery
The Foundling by Ann Leary
The Man with Eight Pairs of Legs by Leslie Kirk Campbell
Here Lies by Olivia Clare Friedman
The Barrens by Kurt Johnson and Ellie Johnson
Night of the Living Rez by Morgan Talty
Blue-Skinned Gods by S.J. Sindu
Everything Harder Than Everyone Else by Jenny Valentish
Drowned Town by Jayne Moore Waldrop
Beasts of a Little Land by Juhea Kim
Fighting Time by Amy Banks and Isaac Knapper
Oklahoma Odyssey by John Mort
Ballad of the Whiskey Robber by Julian Rubenstein
Let the Wild Grasses Grow by Kase Johnstun
A House in the Country by Ruth Adam
Lost in the Moment and Found by Seanan McGuire
Free Food for Millionaires by Min Jin Lee
The Year of the Horses by Courtney Maum
Colonel Sandhurst to the Rescue by M.C. Beaton
Color Me Murder by Krista Davis
In the Wake of the Boatman by Jonathon Scott Fuqua
Book Lovers by Emily Henry
The Marlow Murder Club by Robert Thorogood
The Marseille Caper by Peter Mayle
The Paris Bookseller by Kerri Maher
The Wicked Deep by Shea Ernshaw
The Swimmers by Julie Otsuka
Godmersham Park by Gill Hornby
The Finder by Will Ferguson
Sandman by Bob Drews

Wednesday, October 26, 2022

Review: Other People's Children by R. J. Hoffmann

Parenthood. Some people become parents biologically while others become parents through adoption. Some people are amazing parents while others really struggle. What makes a parent? And perhaps more importantly, what makes a good parent as versus a bad parent? Is it love? Is it some other intangible?

Gail and Jon Durbin are beaten down by Gail's repeated miscarriages. They have arranged their whole lives to welcome a child, buying a house in the suburbs and setting up a nursery but the one thing they can't arrange is a pregnancy that doesn't end in loss and heartbreak. Gail is obsessive about becoming a mother while Jon, remembering his own childhood, is far more ambivalent about fatherhood. After much soul searching though, they decide to adopt. But this is one more process in creating a family that they don't have much control over.

Carli is a pregnant teenager living a couple of towns away. She doesn't have a relationship with the father of her baby any more and she's pretty sure she's not ready to be anyone's mother, especially given the poor role model she has in her own mother, Marla. She wants to go to college and escape her mother and the unhappy life they live. So she decides to give the baby up for adoption and she chooses Gail and Jon to be the baby's parents. Their dreams are coming true even while Marla pressures Carli to keep her baby, thinking perhaps that she can atone for her own failings as a mother by helping raise her grandbaby. What happens to Gail and Jon's dreams if Carli listens to Marla and changes her mind? Who actually is little Maya's family? What lengths will any of them go to to keep this baby?

This novel is both a domestic story about infertility and adoption as well as an on the run thriller. The narration shifts through each of the main characters so that the reader can sympathize with each of them, their hopes, dreams, fears, and motivations. There are right actions and wrong actions here but there's such a moral ambiguity that there's no clear and easy answer. Everyone is right and everyone is wrong. The story is an emotionally packed page turner, heartbreaking and tragic all the way round. If want and love makes a mother, both Gail and Carli are clearly mothers but only one of them can be Maya's mother. Carli's mother Marla is really the only clear villain here. The ending is a bit too perfect and hopeful after the wild ride that comes before it but overall Hoffmann has written an engrossing and moving story about love, adoption, parenthood, and ethics.

Tuesday, October 25, 2022

Waiting on Wednesday

This meme was hosted by Breaking the Spine and is meant to highlight some great pre-publication books we all can't wait to get our grubby little mitts on. I'm choosing to continue the tradition even though she has stopped.

None of This Would Have Happened If Prince Were Alive by Carolyn Prusa

The book is being released by Atria on November 22, 2022.

The book's jacket copy says: Perfect for fans of Maria Semple and Jennifer Weiner, this smart and witty debut novel follows Ramona through the forty-eight hours after her life has been upended by the discovery of her husband’s affair and an approaching Category Four hurricane.

Ramona’s got a bratty boss, a toddler teetering through toilet training, a critical mom who doesn’t mind sharing, and oops—a cheating husband. That’s how a Category Four hurricane bearing down on her life in Savannah becomes just another item on her to-do list. In the next forty-eight hours she’ll add a neighborhood child and the class guinea pig named Clarence Thomas to her entourage as she struggles to evacuate town.

Ignoring the persistent glow of her minivan’s check engine light, Ramona navigates police check points, bathroom emergencies, demands from her boss, and torrential downpours while fielding calls and apology texts from her cheating husband and longing for the days when her life was like a Prince song, full of sexy creativity and joy.

Thoroughly entertaining and completely relatable, None of This Would Have Happened if Prince Were Alive is the hilarious, heartwarming story of a woman up to her elbows in calamities and about to drive off the brink of the rest of her life.

Review: Libertie by Kaitlyn Greenidge

Parents have dreams for their children. But we need to be careful to nurture our children's dreams even if, or perhaps more importantly when, they do not match the dreams we have for them. We can guide and suggest, but in the end, it is not our life to lead. It is our children's. This is hard to face under normal conditions but when there are many other extenuating circumstances, it must be that much harder. Kaitlyn Greenidge's second novel, Libertie, shows how hard it is for a child to go against her mother's dreams and expectations and reach for her own.

Set in Brooklyn and Haiti, this historical novel tells the story of Libertie, the dark skinned daughter of a light skinned, female, Black doctor who rejects her mother’s profession and instead marries and moves to Haiti. The story opens with Libertie watching as her mother saves an escaped enslaved man; at least physically she saves him. And young Libertie is awed by her mother's power but also horrified at the emotional cost, both to her mother and to the patient. As she eventually leaves home for medical school, she finds that she is drawn more to music than medicine, knowing that she is unwilling and unable to pay the emotional cost of healing, especially of failing to heal the whole person. She cannot and will not follow in her mother's footsteps, choosing instead a different path, one that will provide her with her own brand of heartache.

This is a novel of strong women. In fact, it is inspired by the first black, female doctor in the US and her daughter. Greenidge writes movingly of mother daughter dynamics at the tail end of the Civil War. She has drawn the realities of the time into the text seamlessly, richly detailing the community and the challenges facing women, and especially a dark skinned woman like Libertie in the time of Reconstruction. Place is beautifully evoked here although the vast differences in the Brooklyn setting and the Haiti setting make this feel a little like two different novels mashed together and the travel to Haiti turns the novel toward the gothic and atmospheric with hints of Jane Eyre. Libertie's search for independence is moving and the reader sees it from her own perspective through the first person narration. The novel is a bit slow moving and contemplative with a lot of story lines, not all of which get a full enough treatment. Over all though, this is a powerful look at the high cost of slavery, colorism, and liberation in a story about family relationships, both mother daughter and husband wife, and about freedom and becoming.

This is one of the books chosen for the Women's National Book Association Great Group Reads list for 2022. (And yes, I stole a line or two from the description on that page for my review but since I wrote those descriptions, I consider that fair game.)

Monday, October 24, 2022

It's Monday! What Are You Reading?

Not my best week in terms of moving things off the tbr mountain! This meme is hosted by Kathryn at Reading Date.

Books I completed over the past week:

The Paris Bookseller by Kerri Maher

Bookmarks are still living in the middle of:

The Finder by Will Ferguson
The Wings of the Dove by Henry James
The Wicked Deep by Shea Ernshaw

Reviews posted this week:

Dark Country by Monique Snyman
The Belle of Belgrave Square by Mimi Matthews
Three by Valérie Perrin
The World's Greatest Sort Stories edited by James Daley (Dover Thrift Edition)

Books still needing to have reviews written (as opposed to the ones that are simply awaiting posting):

Imperfect Birds by Anne Lamott
Shades of Milk and Honey by Mary Robinette Kowal
Tiddas by Anita Heiss
The Tourist Attraction by Sarah Morgenthaler
Finlay Donovan Knocks 'Em Dead by Elle Cosimano
The Man Who Died Twice by Richard Osman
The Night Always Comes by Willy Vlautin
If I Were You by Lisa Renee Jones
McMullen Circle by Heather Newton
Dangerous Alliance by Jennieke Cohen
Donut Fall in Love by Jackie Lau
Twenty-One Truths About Love by Matthew Dicks
The Love Hypothesis by Ali Hazelwood
Home Repairs by Trey Ellis
Skinny Bitch in Love by Kim Barnouin
Looking for a Weegie to Love by Simon Smith
This Is Going To Hurt by Adam Kay
A Psalm for the Wild-Built by Becky Chambers
Love and Saffron by Kim Fay
The Wonderful Flight to the Mushroom Planet by Eleanor Cameron
Shady Hollow by Juneau Black
Four Gardens by Margery Sharp
Cloud Cuckoo Land by Anthony Doerr
Uncommon Measure by Natalie Hodges
Jane of Hearts by Katharine Weber
Laura Rider's Masterpiece by Jane Hamilton
Surviving Savannah by Patti Callahan
Chivalry by Neil Gaiman and Colleen Doran
Olga Dies Dreaming by Xochitl Gonzalez
She Is Haunted by Paige Clark
A Woman's Place by Marita Golden
Murder Above the Silver Waves by Blythe Baker
Disorientation by Elaine Hsieh Chou
Easy Beauty by Chloe Cooper Jones
The Witches of New York by Ami McKay
The Desert Smells Like Rain by Gary Paul Nabhan
Stay Gone Days by Steve Yarbrough
The Mason House by T. Marie Bertineau
A Map for the Missing by Belinda Huijuan Tang
Just One Taste by Louisa Edwards
The Good Byline by Jill Orr
Truth and Other Lies by Maggie Smith
Dance of the Returned by Devon A. Mihesuah
Like a Drop of Ink in a Downpour by Yelena and Galina Lembersky
The Woman They Could Not Silence by Kate Moore
These Precious Days by Ann Patchett
Tomorrow in Shanghai by May-Lee Chai
What's Mine and Yours by Naima Coster
Geographies of the Heart by Caitlin Hamilton Summie
Setting Fire to Water by Phoebe Tsang
My Days of Dark Green Euphoria by A. E. Copenhaver
Last Summer on State Street by Toya Wolfe
My Monticello by Jocelyn Nicole Johnson
Provenance by Sue Mell
I Will Die in a Foreign Land by Kalani Pickhart
The Two Lives of Sara by Catherine Adel West
A Girlhood: Letter to My Transgender Daughter by Carolyn Hays
The End We Start From by Megan Hunter
The Hawk's Way by Sy Montgomery
The Foundling by Ann Leary
The Man with Eight Pairs of Legs by Leslie Kirk Campbell
Here Lies by Olivia Clare Friedman
The Barrens by Kurt Johnson and Ellie Johnson
Night of the Living Rez by Morgan Talty
Blue-Skinned Gods by S.J. Sindu
Everything Harder Than Everyone Else by Jenny Valentish
Drowned Town by Jayne Moore Waldrop
Beasts of a Little Land by Juhea Kim
Libertie by Kaitlyn Greenidge
Fighting Time by Amy Banks and Isaac Knapper
Oklahoma Odyssey by John Mort
Ballad of the Whiskey Robber by Julian Rubenstein
Let the Wild Grasses Grow by Kase Johnstun
A House in the Country by Ruth Adam
Lost in the Moment and Found by Seanan McGuire
Free Food for Millionaires by Min Jin Lee
The Year of the Horses by Courtney Maum
Colonel Sandhurst to the Rescue by M.C. Beaton
Color Me Murder by Krista Davis
In the Wake of the Boatman by Jonathon Scott Fuqua
Book Lovers by Emily Henry
The Marlow Murder Club by Robert Thorogood
The Marseille Caper by Peter Mayle
The Paris Bookseller by Kerri Maher

Sunday, October 23, 2022

Monday Mailbox

It's been a long time since I did this but I thought I'd try again, especially since I got some fabulous looking books this past week. This past week's mailbox arrivals:

Go As a River by Shelley Read came from Spiegel and Grau.

A coming of age novel paired with the natural world is completely up my alley (plus I've heard amazing things about this).

Skull Water by Heinz Insu Fenkl came from Spiegel and Grau.

About a mixed race boy living in South Korea who is determined to find a cure for his sick Big Uncle, this novel sounds so good.

Godmersham Park by Gill Hornby came from Pegasus Books and Austenprose PR for a blog tour.

A novel of the Austen family? Just try to keep me from reading it! I can't wait.

The Unplanned Life of Josie Hale by Stephanie Eding came from a friend.

When a woman turns up unexpectedly pregnant with her ex-husband's baby, her two male best friends step in to make sure she has all the food she craves as they create a family together. Fun, right?

The Wedding War by Liz Talley came from a friend.

What a premise! Two former best friends who fell out and haven't spoken in twenty years have to come together and plan the wedding for their children. This has all kinds of promise.

The Cybernetic Tea Shop by Meredith Katz came from a friend.

An AI repair person and an old autonomous robot who still runs her late master's tea shop cross each other's paths. This is very different than what I usually read but it is intriguing sounding.

If you want to see the marvelous goodies in other people's mailboxes, make sure to visit Mailbox Monday and have fun seeing how we are all doing our part to keep the USPS and delivery services viable.

Friday, October 21, 2022

Review: The World's Greatest Short Stories edited by James Daley (Dover Thrift Edition)

Although short stories are not my usual choice of reading now, I read quite a number of them in school. I even taught a few once upon a time. So when I remembered that this collection was sitting on my shelves, I decided to see if it was indeed a collection of the world's greatest. My conclusion is that while many of these (or at least their authors) might have been influential, the stories themselves are not necessarily the greatest despite the title's assertion.

I had in fact encountered many of the included stories before in my schooling. They are, by and large, fairly accessible and they do make it easy for students to discuss theme, character, setting, plot, and other elements of fiction. The stories are from a hundred year or so span of time (1853-1962) and are heavily US and Eurocentric. There is only one story from a Japanese author and one story from a Nigerian author. Hard to make the case then, that this is a collection of the "world's" greatest, isn't it? Additionally, out of the 20 stories, a mere 3 are written by women. The stories are almost exclusively canon and not particularly representative of the varied world we live in. In short, there are no surprising stories here.

Personally I loathe Herman Melville and the only thing he contributes to for me is an insomnia cure so starting the collection off with Bartleby the Scrivener made me wary from the outset. (And in the spirit of full disclosure, I skipped reading it again because it almost killed me with boredom the last time I read it). I did enjoy revisiting some of the other stories: The Death of Ivan Ilyich, The Yellow Wallpaper, The Grasshopper and the Bell Cricket. I did come across stories I hadn't read but only two stories from authors I was unfamiliar with. This isn't terribly surprising though since the majority of the stories are staples of English classes and available for free in the public domain with only the shortest of stories toward the end of the time period covered here still in copyright. I think that this is an okay introduction to short stories (although I'd still supplement it with a broader range and more diverse authors) but for those who did anything much with English in school, you probably have all of these stories in anthologies already on your shelves. And know that the big claim made in the title (world's greatest) is just that: a big claim for a collection with such a narrow focus.

Wednesday, October 19, 2022

Review: Three by Valérie Perrin

Friendships are special things and children are the best at them. They can be so open and welcoming to other children. My own children would come off of playgrounds to inform me that their new friend so and so had told them something or to ask if the new friend could come over the play. Every time they used this language: "my new friend." And while many of these were momentary friendships, not lasting any longer than the time we spent on the playground, they also developed deep and abiding friendships that persist to this day. These dear childhood friendships can be battered and they will survive but they can also be broken given enough stress on them. Valerie Perrin's latest novel, Three, centers on three friends who were inseparable as children but who have gone their own ways as adults because of tragedies and life choices.

Adrien, Étienne, and Nina are only 10 years old when they meet in 1986 in their provincial French town. Nina is graceful, sensitive, and artistic and being raised by her postman grandfather since her mother left when she was small. She is the glue between the two boys. Étienne is good looking and popular, from a wealthy family, but he can never satisfy his judgmental father. Adrien is quiet and wickedly smart; he and his single mother are new to the area. Somehow these very different fifth graders come together to become "the three." The three who are always there for each other. The three who will protect each other. The three who are as much a part of each other as a limb is. Until they are not. Until they are each just one.

In 2017, in their adult lives, Adrien, Étienne, and Nina are estranged. They do not speak to each other. Their once firm plans to escape their town and move to Paris to start a band are long since abandoned. They are very different people than the children and young adults they once were, changed by tragedy and circumstance. Local journalist Virginie, who once knew "the three," watches the fallout as a car pulled from a local lake with a body inside brings back the summer that everything started going so very wrong for each of the friends. Whose body is it? Could it be Étienne's missing girlfriend? And if it is, what will each of "the three" make of it?

Perrin has written an intricately plotted novel that is epic in scope. Her characters are complex and well rounded. Both timelines are told in the present tense but only the portions that the mysterious Virginie narrates are from the first person perspective. This gives a slightly larger distance from the story of "the three" than from Virginie's watchful tale, keeping the fabled friendship just that much more out of arm's reach, that much more enigmatic. The two storylines twine around each other, leading the reader to the things that ultimately ruptured the friendship, to the revelation of the body's identity, to just who Virginie is and who she is specifically to "the three," and to the future that each of them face and embrace in the end. There are well crafted, slow measured reveals of the secrets hidden for years that build the story to its end as Perrin poses the question of whether you can ever really fully know another person, or perhaps even yourself. This is a literary mystery within a well written story of friendship, loyalty, betrayal, the past and the present. It is a quiet, long, slow novel, thoroughly engrossing and occasionally surprising. Fans of literary fiction will enjoy it for sure.

Tuesday, October 18, 2022

Waiting on Wednesday

This meme was hosted by Breaking the Spine and is meant to highlight some great pre-publication books we all can't wait to get our grubby little mitts on. I'm choosing to continue the tradition even though she has stopped.

We All Want Impossible Things by Catherine Newman

The book is being released by Harper on November 8, 2022.

The book's jacket copy says: For lovers of Meg Wolitzer, Maria Semple, and Jenny Offill comes this raucous, poignant celebration of life, love, and friendship at its imperfect and radiant best.

Edith and Ashley have been best friends for over forty-two years. They’ve shared the mundane and the momentous together: trick or treating and binge drinking; Gilligan’s Island reruns and REM concerts; hickeys and heartbreak; surprise Scottish wakes; marriages, infertility, and children. As Ash says, “Edi’s memory is like the back-up hard drive for mine.”

But now the unthinkable has happened. Edi is dying of ovarian cancer and spending her last days at a hospice near Ash, who stumbles into heartbreak surrounded by her daughters, ex(ish) husband, dear friends, a poorly chosen lover (or two), and a rotating cast of beautifully, fleetingly human hospice characters.

As The Fiddler on the Roof soundtrack blasts all day long from the room next door, Edi and Ash reminisce, hold on, and try to let go. Meanwhile, Ash struggles with being an imperfect friend, wife, and parent—with life, in other words, distilled to its heartbreaking, joyful, and comedic essence.

For anyone who’s ever lost a friend or had one. Get ready to laugh through your tears.

Monday, October 17, 2022

Review: The Belle of Belgrave Square by Mimi Matthews

Of all the Disney Princesses, most book lovers probably identify most with Belle from Beauty and the Beast. A romance with a reader as a main character? Yes, please! Mimi Matthews must feel the same way since her newest Victorian romance, The Belle of Belgrave Square, very definitely owes quite a bit to Beauty and the Beast (as well as The Story of Bluebeard and several other stories she mentions in her author's note at the end of the novel).

Julia Wychwood is a beautiful young woman who suffers from crippling social anxiety. She is the wealthy heiress to invalid parents who are clearly hypochondriacs, continually summoning the doctor for their many imagined debilitating conditions. Her anxiety means that she doesn't want to be out in society (she takes books with her when she must attend balls and gatherings in case she needs to escape to somewhere quiet) but as an eligible young woman she can only feign illness to avoid these obligations so often. And doing so has earned her a reputation as fragile and sickly. Captain Jasper Blunt is known as the Hero of the Crimea. He is a big, imposing man and has a large scar on his face. His brutality during the war is whispered about in the drawing rooms of London. He owns a crumbling home in Yorkshire which needs a large influx of money to repair and maintain. Goldfinch Hall is also where his three illegitimate children live, a fact that scandalizes society. He is pursuing Julia for her fortune. She knows it, and he is very honest about it. Initially though, he terrifies her. It is only through his continued chivalry towards her and his genuine care for her well being that she comes to see him as a way to escape the odious suitor her parents have chosen for her and the London social scene that makes her so unhappy.

Julia is a romantic and dreamy young woman. She loves novels and the exciting stories they tell (if you haven't read Lady Audley's Secret by Mary Elizabeth Braddon that Julia is reading, you're missing out on some fantastic gothic sensationalism). It is through their shared love of novels that she and Captain Blunt first start to know each other. They are very honest about their feelings for each other and take the time to try to get to know each other before intimacy, which is refreshing. The major stumbling blocks to their growing relationship are the secrets the Captain is keeping from Julia, including a locked tower room, and Julia's father's selfish opposition to their marriage. Julia sees to the kind heart of her emotionally wounded husband and he sees the strength in his shy and anxious wife, proving that people can change and grow despite gossip and reputation, especially if they are surrounded by love.

This is the second book in the Belles of London series but it easily stands alone. It is a closed door romance, focused far more on the characters, who they are and how they relate to each other, than on the physical side of their love. There is a major plot twist that is evident from the beginning of the novel but Matthews intentionally gives the reader easy clues to this, which is only one of the surprises Julia uncovers. These characters who are not valued by many others for who they truly are come alive in this swoony romance. I suspect that while Julia might say there weren't enough adventures in it, she'd wholeheartedly approve of the romance aspect if she were reading her own story.

For more information about Mimi Matthews and the book, check our her author site, like her page on Facebook, follow her on Twitter, Instagram or Pinterest, look at the book's Goodreads page, or look at the reviews for others' thoughts and opinions on the book.

Thanks to Laurel Ann from Austenprose and publisher Berkley Romance for sending me a copy of the book to review.

Review: Dark Country by Monique Snyman

Horror generally makes me run screaming in the other direction. I am a coward with my own active imagination. And I value my nightmare-free sleep a lot. So I rarely ever read anything that could interrupt that sleep with panic. Not that this means I always succeed in avoiding scary books but I sure do try. So why did I willingly pick this up, knowing that it is classed as horror with paranormal elements? It's hard to explain but I had it on good authority that there was more here than just a story about a serial killer. And there was but perhaps not enough for a reader like me, who is generally put off by the gory and the gruesome.

Esmé Snyder is an occult investigator in her family's business who is sometimes called to consult on cases with the South African Police Service. The story opens with her being called to the scene of a particularly ghastly crime. The body of a mutilated twenty-something black woman has been discovered in a field and the murder is being considered as a possible ritual murder. Quite quickly, several more ghastly ritualistic murders are discovered but nothing seems to tie them together besides the horrific mutilations, the attention seeking aspects of the crime scenes, and the way that there is something paranormal at work, draining the life force from and deadening the entire crime scene. Esmé will have to track and try to stop this soulless killer even as he might be tracking her.

The novel is narrated by Esmé but also offers third person chapters that give the reader the serial killer's point of view. This allows the reader to see his motivations in a way that Esmé cannot. There are also news articles and internet comments about the cases showing the public's response to both the horrors of these murders and the police handling of them. Mixed in with the murders and Esmé's investigation is some information about her family and past and even more about her on-again, off-again involvement with a co-worker, which evolves into a love triangle. Both of these plot threads are very secondary to the ritualistic, ancestor magic driven sacrifices that litter the story. Esmé is a strong character but she makes questionable decision after questionable decision, often resulting in her needing rescue herself. She is smart enough not to do these things, and yet... She holds herself at an emotional remove and doesn't accept help easily despite being surrounded by people who can, should, and want to help. The inclusion of South African myths and religion makes the story more intriguing, especially for readers not familiar with either. It is clearly a story about power and evil and what drives people to such lengths. The final pages of the novel definitely imply that the end is not the end and that there will be more books to come. While this may not have been the book for me, it would be a good book for people who enjoy horror and serial killers, those who are fascinated by religious zealotry growing on a scaffolding of insanity, and those who appreciate a little of the paranormal and the unexplainable in their reading.

Thanks to the publisher for sending me a copy of this book for review.

It's Monday! What Are You Reading?

This meme is hosted by Kathryn at Reading Date.

Books I completed over the past week:

The Venice Sketchbook by Rhys Bowen
The Belle of Belgrave Square by Mimi Matthews
Dark Country by Monique Snyman
The Marseille Caper by Peter Mayle

Bookmarks are still living in the middle of:

The Finder by Will Ferguson
The Wings of the Dove by Henry James
The Paris Bookseller by Kerri Maher

Reviews posted this week:

Sapiens by Yuval Noah Harari
Dial A for Aunties by Jesse Q. Sutanto
Our Wives Under the Sea by Julia Armfield
The Venice Sketchbook by Rhys Bowen
Fifty Words for Rain by Asha Lemmie

Books still needing to have reviews written (as opposed to the ones that are simply awaiting posting):

Imperfect Birds by Anne Lamott
Shades of Milk and Honey by Mary Robinette Kowal
Tiddas by Anita Heiss
The Tourist Attraction by Sarah Morgenthaler
Finlay Donovan Knocks 'Em Dead by Elle Cosimano
The Man Who Died Twice by Richard Osman
The Night Always Comes by Willy Vlautin
If I Were You by Lisa Renee Jones
McMullen Circle by Heather Newton
Dangerous Alliance by Jennieke Cohen
Donut Fall in Love by Jackie Lau
Twenty-One Truths About Love by Matthew Dicks
The Love Hypothesis by Ali Hazelwood
Home Repairs by Trey Ellis
Skinny Bitch in Love by Kim Barnouin
Looking for a Weegie to Love by Simon Smith
This Is Going To Hurt by Adam Kay
A Psalm for the Wild-Built by Becky Chambers
Love and Saffron by Kim Fay
The Wonderful Flight to the Mushroom Planet by Eleanor Cameron
Shady Hollow by Juneau Black
Four Gardens by Margery Sharp
Cloud Cuckoo Land by Anthony Doerr
Uncommon Measure by Natalie Hodges
Jane of Hearts by Katharine Weber
Laura Rider's Masterpiece by Jane Hamilton
Surviving Savannah by Patti Callahan
Chivalry by Neil Gaiman and Colleen Doran
Olga Dies Dreaming by Xochitl Gonzalez
She Is Haunted by Paige Clark
A Woman's Place by Marita Golden
Murder Above the Silver Waves by Blythe Baker
Disorientation by Elaine Hsieh Chou
Easy Beauty by Chloe Cooper Jones
The Witches of New York by Ami McKay
Three by Valerie Perrin
The Desert Smells Like Rain by Gary Paul Nabhan
Stay Gone Days by Steve Yarbrough
The Mason House by T. Marie Bertineau
A Map for the Missing by Belinda Huijuan Tang
Just One Taste by Louisa Edwards
The Good Byline by Jill Orr
Truth and Other Lies by Maggie Smith
Dance of the Returned by Devon A. Mihesuah
Like a Drop of Ink in a Downpour by Yelena and Galina Lembersky
The Woman They Could Not Silence by Kate Moore
These Precious Days by Ann Patchett
Tomorrow in Shanghai by May-Lee Chai
What's Mine and Yours by Naima Coster
Geographies of the Heart by Caitlin Hamilton Summie
Setting Fire to Water by Phoebe Tsang
My Days of Dark Green Euphoria by A. E. Copenhaver
Last Summer on State Street by Toya Wolfe
My Monticello by Jocelyn Nicole Johnson
Provenance by Sue Mell
I Will Die in a Foreign Land by Kalani Pickhart
The Two Lives of Sara by Catherine Adel West
A Girlhood: Letter to My Transgender Daughter by Carolyn Hays
The End We Start From by Megan Hunter
The Hawk's Way by Sy Montgomery
The Foundling by Ann Leary
The Man with Eight Pairs of Legs by Leslie Kirk Campbell
Here Lies by Olivia Clare Friedman
The Barrens by Kurt Johnson and Ellie Johnson
Night of the Living Rez by Morgan Talty
Blue-Skinned Gods by S.J. Sindu
Everything Harder Than Everyone Else by Jenny Valentish
Drowned Town by Jayne Moore Waldrop
Beasts of a Little Land by Juhea Kim
Libertie by Kaitlyn Greenidge
Fighting Time by Amy Banks and Isaac Knapper
Oklahoma Odyssey by John Mort
Ballad of the Whiskey Robber by Julian Rubenstein
Let the Wild Grasses Grow by Kase Johnstun
A House in the Country by Ruth Adam
Lost in the Moment and Found by Seanan McGuire
The World's Greatest Sort Stories by Dover editions
Free Food for Millionaires by Min Jin Lee
The Year of the Horses by Courtney Maum
Colonel Sandhurst to the Rescue by M.C. Beaton
Color Me Murder by Krista Davis
In the Wake of the Boatman by Jonathon Scott Fuqua
Book Lovers by Emily Henry
The Marlow Murder Club by Robert Thorogood
The Belle of Belgrave Square by Mimi Matthews
Dark Country by Monique Snyman
The Marseille Caper by Peter Mayle

Friday, October 14, 2022

Review: Fifty Words for Rain by Asha Lemmie

I've never been much of a tv watcher but even I have seen an episode or two of soap operas over the years. They aren't really my thing but I think what keeps people tuning in every day is the pace of the story, the complications, the constant drama, secrets and their shocking reveals, love, and of course, their outlandishness, all of which serve to take the viewer away from their quotidian life. Asha Lemmie's debut novel, Fifty Words for Rain, is the book version of a soap opera and it has garnered its share of supporters and detractors, just as the tv shows do. I have to admit though, that if I have no interest in tv soap operas, I am only marginally more interested in book soap operas.

Opening in 1948, eight year old Noriko, the illegitimate, mixed race daughter of a Japanese aristocratic mother and a black American GI, is left at the gate of her aristocratic grandparents' home by her mother. Jumping then to two years later, Nori is living in her grandparents' attic, her mother's shame made visible kept hidden and out of sight of everyone outside the family. She is given harsh chemical baths to try and lighten her skin and she has come to understand that her curly hair and complexion are terrible, something no Japanese person would ever value. She is treated badly by her grandmother when she deigns to see Nori and neglected when she doesn't. When her older half brother, Akira, who is her mother's legitimate son and the heir to her wealthy grandparents, comes to live in the house after the death of his father, Nori, for the first time, finds an ally. She is obsessed with her brother and he convinces their grandmother to grant Nori privileges that she has never before been allowed. But this sibling bond can't be allowed to stand and Nori is sold off to a brothel the family owns while her brother is away at school. This is not the last terrible thing that happens to Nori as she goes from trauma to trauma, often at the hands of her bigoted, evil family.

From the opening pages, Nori is an obedient child who faces every bad thing possible: abandonment, abuse--physical, emotional and sexual, isolation, racism, loss and more. Eventually the reader has to wonder just how many terrible things and tragedies must be thrown at Nori to show her resilience as a character. And given all of the soul destroying events in her life at the hands of her grandmother, it makes the end of the novel completely out of character and ridiculously unbelievable. But even from the beginning the novel is unbelievable. It starts with something that calls into question the accuracy of its entire portrayal of post-war Japan. Nori is supposed to be 8 in 1948. That would put her American GI father in Japan in either 1939 or 1940 in order for her to exist. Even a quick internet search suggests that this would have been well night impossible. But Nori needs to be half black and half Japanese in order for the story to work. Pure invented melodrama, especially when added to the litany of traumas she faces throughout her life. The novel does crack on at a decent clip making a close to 500 page book a quick read, so for those interested in a soap-like survival story or trauma porn, this might be the right book. Certainly a lot of other authors and readers have loved it in ways that I didn't.

Thursday, October 13, 2022

Review: The Venice Sketchbook by Rhys Bowen

I enjoy historical fiction (although WWII storylines need to have something extra to interest me at this point) and I am fascinated by Venice and Venetian society. I've read and enjoyed a couple of books from Rhys Bowen's Her Royal Spyness series. So I thought that her novel, The Venice Sketchbook, this dual timeline story of uncovering secrets from a beloved deceased relative through a bequest would be enjoyable. It would be predictable, sure. How could it not with a premise like it had? And it was fine. Yep. Just fine. And that was a disappointment.

Juliet "Lettie" Browning first goes to Venice in 1928 with her formidable Aunt Hortensia. She meets a handsome Venetian man named Leonardo Da Rossi and sneaks out of her room to share a late night picnic with him, and a kiss too. She is whisked away from Venice after this but she cannot forget Leo, who, it turns out, is from a wealthy, prominent, and respected family. A decade later, after her family's financial hardship has forced her to give up her place at art college and take on the position of art mistress at an all girls school, she leads a school trip to Venice where she meets Leo again, dines with him, and discovers that he is to be married to the woman who was chosen for him at her birth. Once again she leaves and cannot forget him or the forbidden kiss they again shared. A year later she returns to Venice again, despite Europe being on the cusp of war. This time she has been granted a year's bursary, during which she will be able to take classes at the art accadamia. And again she runs into the now unhappily married Leo. The shadow of the looming war and their decade long feelings for each other create unforeseeable complications.

In 2001, Lettie's great niece Caroline is processing her divorce. Her ex is now dating a famous American pop star and he has asked for their six year old son Teddy to spend the summer with them. When Teddy is supposed to fly home to England and his mother, 9/11 happens and he has to stay in the US. Even when it's safe for him to come home, ex Josh contends that Teddy's too traumatized to fly and so won't send him home, leaving Caroline no recourse to get her son back. In the meantime, her beloved Great Aunt Lettie, who lives with the grandmother who raised Caroline, has a stroke and is clearly dying. Caroline rushes to her in time to hear her dying wish that Caroline go to Venice and that she be given the box in Lettie's closet. The box contains sketchbooks from Venice, glass beads, a ring, and an unlabeled set of keys. A bit lost without Teddy, unhappy with her job, and having unused vacation time, Caroline decides to go to Venice to scatter some of Lettie's ashes and see if she can uncover what her great aunt clearly wanted her to discover. While there, she will meet her own handsome Da Rossi.

The novel moves back and forth between the historical and the more modern day timelines. Juliet's story, told in first person through her diaries, is at least 2/3 of the novel, while Caroline's sections are third person narration and at most 1/3 of the story. Juliet's story was definitely more interesting than Caroline's so this imbalance was fine. There is a prologue that is repeated quite far into the novel which implies a very different book than the one we get. It is not a spy story. It is a love story (maybe times two). There is the ever frustrating insta-love (twice!) on which the whole story hinges. Early on, Caroline repeats, on almost every page, that she wishes Aunt Lettie had just told her what she wanted her to know rather than it being such a mystery. Granted, without this ambiguity from Aunt Lettie, there would be no story, but even so, Caroline's frustration got incredibly repetitious. The mystery of Aunt Lettie's time in Venice was never really mysterious to the reader though and the novel is littered with too many unlikely coincidences in order to make what we know has to happen actually come about. The novel is slow to start (perhaps because of all the repetition) and all of the action piles up in the end. There are many descriptive passages about Venice, really drawing a picture of the tourist areas of the city for the reader, and Bowen has focused on the feasts and celebrations that set Venetians apart, including from their fellow Italians, even to the point of continuing to hold their traditional festivals as the world sinks into WWII. Perhaps it is this sense of partying while the rest of the world burns that leads to a far less than expected amount of tension when the war does finally come to Venice. There are likewise certain plot elements that arise that should be blockbusters and yet they just peter out and get dropped. There is a kernel of a stronger story here, even with the predictable elements, and I'm sorry that it didn't come to fruition. This is okay for the romance, weak on the mystery, but a decent enough read if you're just killing time. How's that for damning it with faint praise?

Wednesday, October 12, 2022

Review: Our Wives Under the Sea by Julia Armfield

If you've ever gone under the sea (in my case scuba rather than a submarine), you know there's something different about breathing and being under the water. There's a slowing down, a muffling, that occurs. It is a place of metamorphosis. The deeper you go the more otherworldly it becomes. And because we know so little about the ocean and its inhabitants, it is the perfect place to set a nightmare. In Julia Armfield's brooding and melancholy novel Our Wives Under the Sea, she uses this unknowing and vague sense of menace as two wives confront the aftermath of one of the women's submarine voyage gone wrong, how they are both changed by this trauma, and a mourning for what was, and what continues to be, lost.

Miri and Leah are treading water, drifting around each other in an increasingly silent apartment. Leah is a deep sea researcher who was on a submarine that was meant to be gone for 3 weeks but was unexpectedly gone for 6 months. Leah's wife, Miri, doesn't know how to help Leah process the trauma she experienced when the sub lost power and sank to the bottom of the ocean. Leah doesn't know how to, or can't, tell Miri what happened down there. And so the two women repeat their actions over and over and over again in a hopeless loop. Miri calls the Centre (Leah's employer) to try and get ahold of a person who can help Leah, and perhaps her as well. Leah floats in the bath, water running all the time, her body changing, vomiting water, bleeding from her mouth, and her skin silvering, almost translucent. Both of them are aimless with grief and loss and Leah is increasingly disassociated from this terrestrial life.

The novel is narrated in the first person, alternating between Miri, who tells of their history together and her futile efforts to find "her Leah" instead of this stranger who has returned from 6 months away, and Leah, who tells the reader, but not Miri, the story of what happened to her and to her fellow scientists down in the depths of the ocean. The story is also broken into the oceanic zones: sunlight, twilight, midnight, abyssal, and hadal so the reader knows that things will get darker and more unknowable as the story goes on. This is an essentially plotless, character driven meditation. It is unsettling and surreal in tone. There are many unanswered questions: why is the sub supplied with enough food to last 6 months when the voyage was supposed to be 3 weeks? Why do the upstairs neighbors leave their tv on at all hours and what do the banal shows they watch signify for this marriage that is slowly disintegrating? What is that sound under the water? And how do you grieve someone still present? There is a sort of dreamy horror to this novel which kept me awkwardly distanced from the story. Very little actually happens over the short course of the book and the two women's voices were nigh indistinguishable. The slow moving plot and the endless repetition, like waves rolling out at sea, never getting nearer to shore, turned this into something of a struggle to pick back up after I put it down. In fact, I found I had to reread sentences even right in the middle of the story because I had zoned out completely and not absorbed anything. Everything, characters and plot both, felt vague and strangely insubstantial. I so very much wanted to like this more than I did. Others have raved about it though so perhaps I missed something vital. If you read it, expect no answers to any questions, not in the beginning, the middle, and certainly not in the end.

Waiting on Wednesday

This meme was hosted by Breaking the Spine and is meant to highlight some great pre-publication books we all can't wait to get our grubby little mitts on. I'm choosing to continue the tradition even though she has stopped.

The Rewind by Allison Winn Scotch

The book is being released by Berkley on November 1, 2022.

The book's jacket copy says: Two exes wake up together with wedding bands on their fingers—and no idea how they got there. They have just one New Year’s Eve at the end of 1999 to figure it out in this big-hearted and nostalgic rom-com from New York Times bestselling author Allison Winn Scotch.

When college sweethearts Frankie and Ezra broke up before graduation, they vowed to never speak to each other again. Ten years later, on the eve of the new millennium, they find themselves back on their snowy, picturesque New England campus together for the first time for the wedding of mutual friends. Frankie’s on the rise as a music manager for the hottest bands of the late ’90s, and Ezra’s ready to propose to his girlfriend after the wedding. Everything is going to plan—they just have to avoid the chasm of emotions brought up when they inevitably come face to face.

But when they wake up in bed next to each other the following morning with Ezra’s grandmother’s diamond on Frankie’s finger, they have zero memory of how they got there—or about any of the events that transpired the night before. Now Frankie and Ezra have to put aside old grievances in order to figure out what happened, what didn’t happen...and to ask themselves the most troubling question of all: what if they both got it wrong the first time around?

Monday, October 10, 2022

Review: Dial A for Aunties by Jesse Q. Sutanto

When people ask me what I like to read, I generally tell them that it's easier to tell them what I don't since that's a much smaller list. Then I go on to tell them that I don't read books with bodies or blood in them. But sometimes I do, especially when the book is a delightful caper of a book like Jesse Q. Sutanto's Dial A for Aunties. This is not a mystery. You know from the very start that Meddelin Chan, the twenty-six year old photographer for her family's wedding industry business, has inadvertently killed the blind date her mother arranged for her via a dating app. This is a rom-com of sorts but it is also a goofy and entertaining tale of family and what we do for those we love.

Meddy has always done what was expected of her in her large, female Indo-Chinese family. Unlike her father and uncles and male cousins, she hasn't left her mother and her aunties at the first opportunity. In fact, she hasn't left them at any opportunity she's had. They may be slightly kooky, but she knows what she owes them: everything. Except she sacrificed her dream college to go to school close to home. She agreed to be a wedding photographer when she had different photography aspirations. She even gave up her college boyfriend, never introducing him to her family, when he asked her to move across the country with him, so she could be there for her mother and aunties. She is the very image of a dutiful daughter. And now her dutifulness is causing her problems, having gone on the date that her mother arranged and unintentionally killed him. But when she tells her mother, who tells her aunties, what has happened, they are determined to help her get rid of the body in what becomes a complete comedy of errors during an enormous wedding they're working and that has the potential to make or break almost everything.

With the love of Meddy's life, her college boyfriend reappearing in the person of the exclusive resort owner, her aunties and her mom coming up with crackpot ideas that only complicate an already out of control situation, and a dead body that keeps getting moved around a la Weekend at Bernie's, this is a nutty and highly entertaining screwball read. Sutanto has managed to work some things about Indonesian Chinese culture in and around the delightful and highly improbable plot and the characters of the mother and aunties are clearly a love letter to Sutanto's own family. Meddy narrates the story both in the present and during her years in college dating Nathan, weaving what went wrong then with everything that is going wrong now. She is a fun, empathetic character, exasperated with her family but as fiercely loyal to them as they are to her. The family dynamics might be exaggerated and the aunties can be caricatures but it will all make you laugh. The plot is completely over the top bananas. The effect of the whole thing is utterly charming and I plan to run right out and buy the next book.

Review: Sapiens by Yuval Noah Harari

This got a lot of buzz when it came out but even so, I was not particularly interested in reading it. And then my book club chose to read it and I do try to step outside of what I'd choose (I wouldn't say comfort zone since this was easily inside that for me) and read whatever we've chosen. Sometimes this approach to reading introduces me to books that make me think and sometimes it really bites me in the butt. Yuval Noah Harari's Sapiens as a read was definitely more of a make me think than a bite me in the butt read although there were still aspects of the latter.

The subtitle of the book is A Brief History of Humankind, alerting the reader to the fact that Harari intends to zoom through almost a hundred thousand years of Homo sapiens in just over 400 pages. This is an expansive, impressive, and perhaps foolhardy undertaking, as it must leave out vast swaths of history and development and give short shrift to others. Harari opens the book with "The Cognitive Revolution," a look at how Homo Sapiens came to be and how our species "won out" over the other human species. This section of the book was by far the most engaging bit, surprisingly entertaining and even occasionally humorous. It is also in this beginning chapter that some of Harari's conclusions, presented as fact, could use a close and skeptical reading. This need for questioning gets ever larger as the book goes along through "The Agricultural Revolution" (the worst thing to ever happen to human beings according to Harari), "The Unification of Humankind", and "The Scientific Revolution." Generally Harari sounds convincing but his arguments clearly skew to his own belief system and aren't always well balanced to show other perspectives.

Harari's ideas about human evolution are interesting though and reading this made me reflect back on the History of Life interdepartmental biology/geology class I took in college so many years ago. Interestingly, many of the ideas or seeds of ideas that Harari introduces were not new to me as a result of that class. As the book wore on, I became less and less interested in it and I'm not entirely certain why. Am I too familiar with the later history of us? Had I gotten too irritated by Harari's unprovable assertions? In any case, the book was slow going, especially the closer to the end I got but it was complex and wide ranging in what it covered and it does do a good job introducing people to a lot of ideas about our history (and pre-history) that they might not have considered before. I know others rave about it (Bill Gates and Barak Obama both blurbed it using high praise) and I appreciate that it made me think about things I hadn't thought of in years but despite its certainty, I was left feeling slightly unsettled by some of his arguments and frankly a touch bored in the end.

Friday, October 7, 2022

Review: The Department of Rare Books and Special Collections by Eva Jurczyk

A library, a missing rare book, a novel set in academia, this mystery by Eva Jurczyk has all the elements of an intriguing read for book lovers.

Liesel Weiss is a quiet, self-effacing librarian in the Department of Rare Books and Special Collections at a large university. They have some impressive pieces in their collection thanks to the deep pockets of certain donors and the book opens with Liesel trying to figure out how to get into her boss's locked safe to show the donors the latest acquisition. As the Assistant Director, albeit supposed to be on sabbatical, Liesel should have the combination. She doesn't, and her boss is comatose after a stroke. But when she does finally get the safe open, Liesel will uncover even bigger problems: the rare, and not yet insured, Plantin Bible is missing. When she tells the university's President, he forbids her from involving the police, worried as he is about the donors pulling their support over the loss. Instead, she must keep the missing Bible secret and investigate with the help of her staff, but really essentially on her own. Then a young female librarian stops coming to work, suggesting that she is the one who stole the valuable Bible and other missing pieces, the loss of which were discovered in the course of Liesel's search for the Plantin. Will solving the theft be as easy as this?

The pacing here is quite slow, detailing the ins and outs of academic politics, the importance of the goodwill of donors, the personalities, oftentimes in conflict, of the librarians, and the glacial speed and tangled threads of life in academia. Liesel is rather a door mouse of a character, allowing her colleagues, over whom she is now in charge, to run roughshod over her, to insult and insinuate things about her, and to generally be insubordinate in the extreme. She is non-confrontational and quietly deliberate and most readers will spend a lot of time wanting to yell at her to get a backbone and get on with it. The secondary characters are not particularly appealing either and their secrets, as they come out, do not make them any more sympathetic. The mystery itself is not hard to solve and the flatness of the characters combined to make this a less compelling read than I'd have hoped.

*For anyone sensitive to it, note that there is a trigger warning for depression and suicide.

Thursday, October 6, 2022

Review: Where the Wild Ladies Are by Aoko Matsuda

Traditional Japanese folktales reimagined as interconnected, contemporary feminist ghost stories, this collection was odd and strangely flat reading. For readers unfamiliar with the Japanese myths and legends these stories are based on, there is an "Inspiration for the Stories" section in the back of the book which helps the reader understand what Matsuda is trying to undermine in her retellings but still doesn't give someone who doesn't know the originals enough of the cultural background and understanding to make this an entirely successful collection. There is a very strong Japanese sensibility here and the stories are all fantastical, populated by the supernatural in some way. The main characters subvert traditional Japanese gender roles, if not in life, then after death as ghosts or other creatures. Each of the stories is strange and complete from a ghostly lover recovered from her watery grave to an aunt against hair removal to a gift shop owner living in the shadow of her namesake shrine to a foxlike young woman and more. Fans of Japanese literature and those who have a working knowledge of the folktales these stories take their inspiration from are probably the best audience for this collection.

Review: In the Shadow of a Queen by Heather B. Moore

Queen Victoria and Prince Albert's love story is quite well known among those who have a fascination with historic British royalty. Victoria's long mourning after the early death of the love of her life, the father of her nine children, is looked at as the pinnacle of devotion and love. But that's in the abstract. On a more personal level, Albert's death changed not only the happy life of his wife and sovereign, but also those of his children, especially the children still living at home. Heather B. Moore's historical novel about Princess Louise, the fourth daughter and sixth child of Victoria and Albert, takes readers from a year prior to Albert's death to the years afterwards as the princess and her siblings grow up and take their places in royal families across Europe and in the Queen's service.

Princess Louise, called Loosy by her family, was a free-spirited, artistic young girl. She is close to several older siblings, including the Prince of Wales, her older brother Albert, and to her younger siblings. She is doted on, admired for her beauty and her artistic talents. Her life is one of great privilege but also great constraints as a royal child. At 12, when the novel opens, she is young enough to be just on the cusp of understanding what is swirling around her in her family's private life and also on the larger stage of world politics, not that a well-bred princess concerns herself with the latter. When she is 13 and her father dies, much about the happy family changes. Victoria plunges into mourning that she will maintain for the rest of her life, retreating from public life for a prolonged time. Without her beloved Albert to advise her, she presses her oldest unmarried daughter into the role of her secretary, a role that eventually becomes Loosy's as her older sisters marry and leave the palace. This gives the unconventional young woman an even greater interest in politics and the causes of her time. Although forbidden by her mother to act on her feelings, Loosy is a suffragette at heart and longs to break other boundaries as well, not least in her art (sculpting is not for women, and definitely not for gently bred young women) and in her marriage (she has no interest in marrying any of the available royals presented to her).

Moore captures well the dichotomy of a woman who is not just a daughter, but a daughter of the queen, owing her mother filial duty and also the duty of a subject. Princess Louise fully knew her responsibilities but also knew how to get many concessions from her mother in order to live out her dreams, even if they were occasionally modified a bit. She was a fascinating historical figure. The story is well researched and the chapter epigraphs from actual royal letters and diaries help give a flavor of the real people behind Moore's fictionalization. Spanning just over a decade of Loosy's life, from the year before losing her father to the early days of her marriage, the novel is an intriguing look at the forces that shaped this most unconventional of Queen Victoria's daughters. The imagined family scenes feel true to the people we know historically and the contrast of life in the royal household prior to Albert's death and after is beautifully rendered. Louise's interest in politics and suffrage, although not encouraged by the Queen, is easy to understand, surrounded as she was by the daily knowledge of the realm and the wider world, despite the very sheltered way that the royal children were raised socially. That Loosy became such a force, advocate, and founding support for so many artistic and educational organizations speaks to the strength of her personality as does her drive to improve her natural artistic talent and make beautiful sculptures that survive today. Some of this very impressiveness is subsumed during the lengthy search for a husband and while the search itself is important, and groundbreaking in the fact that she was being allowed to marry outside of her class but also to choose her own husband (within reason), it did detract from the otherwise intriguing young woman. Over all, the book was a tantalizing glimpse into the life of a woman, a princess, who broke the mold in so many ways and is so rarely remembered today.

For more information about Heather B. Moore and the book, check our her author site, like her fan page on Facebook, follow her on Twitter, Instagram or Pinterest, look at the book's Goodreads page, or look at the reviews for others' thoughts and opinions on the book.

Thanks to Laurel Ann from Austenprose and publisher Shadow Mountain Publishing for sending me a copy of the book to review.

Wednesday, October 5, 2022

Review: an open door by Anne Leigh Parrish

We're all familiar with the image of Rosie the Riveter, the strong and capable woman who stepped in when American men went off to fight in WWII. But what happened to all the Rosies out there once the war was over and the men came back, went back to school, and rejoined the work force? Very few people address women's lost freedoms of the late 1940s and 1950s. In Anne Leigh Parrish's newest novel, an open door (lower case intentional), her main character is directly affected by this unfortunate and unfair regression and by the expectation that women settle back into the world they inhabited before the war.

Edith works as a secretary at the UN in New York and lives with her estranged husband's unconventional aunt. She has left Walter and endures his frequent letters imploring her to return to Cambridge, where he is in law school, and to take back up the mantle of a proper (and appropriate) wife. Her life in New York is more fulfilling than her life in Cambridge but she is still unsatisfied. After an alcohol-fueled one night stand with the son of a friend of Aunt Margaret's, Edith abruptly decides to return home to Walter, going back to a stultifying existence of cocktail parties, intellectual stagnation, and ignoring her husband's infidelities.

Edith had to abandon her own plans to pursue a doctorate in order to conform to Walter's and society's idea of the perfect post-war wife. She grew up with the message that girls and women were lesser, her father being borderline abusive to his wife and daughter. Despite the examples all around her, she cannot quite force herself to completely conform to the expectations of the times. The novel is character driven and both funny and sad. It's sad for the way in which women were so trapped and forced to endure a life and marriage that wasn't in any way fulfilling. "They married. The first time they had sex they fell off the bed, which Edith found hilarious, and Walter found mortifying. The sex was terrible, and Edith told herself it would get better with practice. It didn't." (p. 31) But there is humor in there too.

Pieces of Edith's past and her long relationship with Walter are woven into the present of the narrative, showing the reader just who Edith is, why she reacts the way she does, and how she'll find her way to happiness and selfhood in a time and society that didn't present any easy alternatives to a stifling life for women. Edith is thoughtful and intelligent and while she will acquiesce for a time, she won't stay a second class citizen forever. The door to a new life may be a small and seemingly insignificant but it is open and she'll find a way to walk through it. There is a quiet tone to the story and there is no big climactic scene driving the plot but the novel is beautifully written and Edith is a complex, flawed, interesting character. I'll always search out everything Anne Leigh Parrish writes.

For more information about Anne Leigh Parrish and the book, check our her author site, like her on Facebook, follow her on Twitter, look at the book's Goodreads page, follow the rest of the blog tour, look at the reviews for others' thoughts and opinions on the book, and purchase here.

Thanks to Lisa from TLC Book Tours and publisher Unsolicited Press for sending me a copy of this book to review.

Tuesday, October 4, 2022

Waiting on Wednesday

This meme was hosted by Breaking the Spine and is meant to highlight some great pre-publication books we all can't wait to get our grubby little mitts on. I'm choosing to continue the tradition even though she has stopped.

The Color of Ice by Barbara Lynn Probst

The book is being released by She Writes Press on October 18, 2022.

The book's jacket copy says: Set among the glaciers and thermal lagoons of Iceland, and framed by the magical art of glassblowing, The Color of Ice is the breathtaking story of a woman's awakening to passion, beauty, and the redemptive power of unconditional love.

The stunning new novel by the author of award-winning novels Queen of the Owls and The Sound Between the Notes . . .

Cathryn McAllister, a freelance photographer, travels to Iceland for a photo shoot with an enigmatic artist who wants to capture the country's iconic blue icebergs in glass. Her plan is to head out, when the job is done, on a carefully curated "best of Iceland" solo vacation. Widowed young, Cathryn has raised two children while achieving professional success. If the price of that efficiency has been the dimming of her fire--well, she hasn't let herself think about it. Until now.

Bit by bit, Cathryn abandons her itinerary to remain with Mack, the glassblower, who awakens a hunger for all the things she's told herself she doesn't need anymore. Passion. Vulnerability. Risk. Cathryn finds herself torn between the life--and self--she's come to know and the new world Mack offers. Commitments await her back in America. But if she walks away, she'll lose this chance to feel deeply again. Just when her path seems clear, she's faced with a shocking discovery--and a devastating choice that shows her what love really is.

Sunday, October 2, 2022

Review: Singing Lessons for the Stylish Canary by Laura Stanfill

The Blanchard family in Mireville, France has long been master craftsmen in the making of serinettes, hand-crafted barrel organs used to train canaries to sing particular pieces. This gives them quite a high status among their fellow villagers and indeed among the other music makers as well. Georges Blanchard is born a colicky baby whose noisiness disturbs his father as he tries to hear each musical note. When Georges finally stops crying and is taken to the village to show the others, the perpetual gloom that has shrouded the village breaks and in a miracle, the sun comes out. Henceforth he is known as the Sun-Bringer. Problematically, the sun does not go away, which can be interpreted several ways. This is the family into which Henri Blanchard is born, son of the Sun-Bringer, quiet and sensitive boy who doesn't fit in with the other village boys, son destined to inherit his father's workshop but who wishes to learn the art of bobbin lace making like the women in the town, a family in which he has much to live up to.

This is a gentle story with elements of the fantastical and it reads like a fairy tale of sorts. Henri wants acceptance, from his father and from the others in town. He only know pieces of what make him an outsider (showing his emotions; his father's, and therefore his, status in the village; spending time with girls) but when a large secret is revealed and then an unbelievable talent is uncovered, he comes to a more complete understanding. The novel has a unique premise even while it addresses familiar issues like friendship, parenting, acceptance, and a search for selfhood. Henri is a tender and appealing character and his discovery that serinettes, while beautiful and skillful music boxes, repress canary's natural chirps and trills is very much a metaphor for his own young life. The village women seemingly have no power and yet their small rebellions show this to be untrue and ultimately culminate in something major. Stanfill's writing is beautiful, giving the novel an elegant and timeless feel. There are some fairly big plot lines that simply disappear here and the end of the story might be hard for some readers but I thought it gives the novel a hopeful, continuation sort of feel. This is an unusual, intriguing story with many layers and one that readers looking for something different should give a chance.

Thanks to the publisher for sending me a copy of the book for review.

Saturday, October 1, 2022

Review: The Keeper by Kelcey Ervick

I was a competitive swimmer for 15 years, from the age of 7 all the way through college. I swam in summer leagues, on school teams, and on competitive year-round teams. Swimming was a huge part of my life. Some of my best friends were my fellow swimmers. Even my husband was a fellow swimmer. As a girl born in the 70s, I never really questioned the fact that I was able to join a team. Title IX was always an unquestioned part of my life. In her graphic memoir, former soccer player Kelcey Ervick, who is exactly my age, did consider the fact that she was a part of the first generation of girls who lived their whole sporting careers with the protections of Title IX. She weaves the history of women’s soccer (football), the fight for recognition of women’s sports, and her own impressive journey on the soccer pitch together to form an informative and interesting graphic memoir.

Opening with Ervick watching the video made by a teammate’s dad in 1987 when her travel team went to the US Girls’ Nationals Tournament, the video becomes a jumping off point for her musings about the way that girl's sports were perceived at the time (and to be fair, oftentimes today as well—just look at the disparities between the US Women’s National Soccer Team and the US Men’s National Soccer Team). She talks about her own personal experience as a keeper, the toll it took on her body, the friends she made and lost, the exhilaration of playing (and winning), the burnout, her eventual comeback in the sport she loves, and what made her a writer. The entire memoir is hand lettered and the artwork is mostly simple line drawing comics with an occasional collage thrown in. It’s a very fast read, full of interesting and important information about women in soccer, and by extrapolation, women in sports. Give it to your soccer playing daughters (but not until you’ve read it for yourself).

Thanks to the publisher for sending me a copy of this to review.

Popular Posts