Wednesday, October 9, 2024

Waiting on Wednesday

This meme was hosted by Breaking the Spine and is meant to highlight some great pre-publication books we all can't wait to get our grubby little mitts on. I'm choosing to continue the tradition even though she has stopped.

Libby Lost and Found by
Stephanie Booth.
The book is being released by Sourcebooks Landmark on October 15, 2024.

The book's jacket copy says: Libby Lost and Found is a book for people who don't know who they are without the books they love. It's about the stories we tell ourselves and the chapters of our lives we regret. Most importantly, it's about the endings we write for ourselves.

Meet Libby Weeks, author of the mega-best-selling fantasy series, The Falling Children--written as "F.T. Goldhero" to maintain her privacy. When the last manuscript is already months overdue to her publisher and rabid fans around the world are growing impatient, Libby is diagnosed with early-onset Alzheimer's. Already suffering from crippling anxiety, Libby's symptoms quickly accelerate. After she forgets her dog at the park one day--then almost discloses her identity to the journalist who finds him--Libby has to admit it: she needs help finishing the last book.

Desperately, she turns to eleven-year-old superfan Peanut Bixton, who knows the books even better than she does but harbors her own dark secrets. Tensions mount as Libby's dementia deepens--until both Peanut and Libby swirl into an inevitable but bone-shocking conclusion.

Wednesday, October 2, 2024

Review: The Road to Dalton by Shannon Bowring

Every person you meet is living a life that is simultaneously public and private. We see the surface of people but can't see into their hearts and minds unless they let us in. This is true in big cities and small towns alike. People are people everywhere. Shannon Bowring shows us this in her devastating, heartbreaking, and yet somehow hopeful, debut novel The Road to Dalton.

Set in 1990 small town Dalton, Maine, this is the story of a handful of people in the town whose lives are intertwined in so many ways and whose actions, big and small, impact each other and the town as a whole. There's Richard, the town's dependable only doctor who has never loved his job but who holds so many of the town's secrets, Trudy, his wife, the town librarian who is best friends and more (a fact conveniently ignored by Richard) with Bev. Bev is married to Bill, who might or might not know about Bev and Trudy. They have one son, Nate, who is married to his high school sweetheart Bridget, who is suffering quietly from severe post-partum depression after giving birth to their daughter earlier than expected. There's Rose, a waitress at the local diner, who is being abused by the deadbeat father of her two boys, and there's Greg, a young teenager who is confused by his feelings about himself and his closest friends. These struggling people are all a part of the tapestry of the town; some are fraying and ome are pulled too tightly but all are important to the overall story.

Although there is a major event that effects all of the characters lives, this is a character study with an ensemble cast. Even before the major event, so many of the characters stand at a crossroads in their lives, facing huge decisions and changes that will change everything for them. Each of them are shaped by very personnal and interior secrets they all keep to themselves quietly. Bowring writes her characters skillfully, showing the push and pull of community, empathizing with the heavy and hard things that they are facing: post partum depression, suicidal ideation, domestic abuse, marital problems, job/life dissatisfaction/apathy, homophobia, and more. So many of these characters cannot live their lives openly, with joy and fulfillment and yet there is still hopefulness in the end, quite a feat for any writer but certainly one for a debut author. Readers who like quiet, complex novels and don't mind slower pacing will find much to enjoy here.

Review: I Cheerfully Refuse by Leif Enger

Although dystopian novels arent usually something I seek out, author Leif Enger writes so beautifully that I was eager to see how he handled such a topic. His newest novel, I Cheerfully Refuse, is not just a dystopian novel but an odyssey for our time.

In a world ruled by the wealthiest, subject to devastating weather events, and populated by small outposts of people living hard scrabble lives, Rainy (short for Ranier), a musician and odd jobber, and his beloved wife Lark, a bookseller, live mostly contented lives. They are good, resourceful people, liked by their community, and still capable of occasional dreams. When Lark brings home a refugee named Kellan who is being pursued by dark forces, Rainy looks the other way, especially since Kellan gives Lark a copy of I Cheerfully Refuse, the sole and rare novel she has yet to read by an author named Molly Thorn, who has played a large part in Rainy and Lark's life. But Kellan's presence and then absence brings Rainy into the crosshairs of those in charge of this terrible, not too future world, forcing him to flee on a small sailboat named Flower, into the uncertain, warming waters of Lake Superior searching for Lark.

As Rainy sails around, he encounters the remnants of civilization with people who are desperate, evil, rebellious, con artists, beaten down, and occasionally good and kind. He also rescues a young girl named Sol along his way and the two of them form an awkward sort of partnership as time goes on. They are battered by catastrophic weather events, faced with direct evidence of the great inequality of their society, and presented with true evil on their long and meandering odyssey.

Enger does a masterful job protraying the menace of a society that is crumbling, one that is governed by the amoral and the uncaring, that sees its people as dispensable and disposable. His characters are complete and worthy guides to his story. The setting of the novel, on the shores and waters of Lake Superior, is absolutely integral to the novel. And Enger has found an effective and disturbing way to highlight the impact of climate change on the world of the novel (and our own if we don't change course quickly!): Lake Superior, which famously does not give up her dead, is in fact, giving them up in this novel as the drowned of past decades and centuries bob to the surface in a regular, macabre display. It's not a comfortable story but it's not as bleak as it can sometimes seem either. Enger's writing is beautiful, easing the reader through the story, towards an earned and yet unknowable end. The novel is both grim and hopeful, centering oppression and the destruction of our planet and our society, but also celebrating love and chosen family. The novel can be a tad confusing at times but then the possible end of times would be, wouldn't it?

Monday, September 30, 2024

Review: This Great Hemisphere by Mateo Askaripour

Dystopian fantasy/sci fi is not my general reading preference but Mateo Askaripour's novel This Great Hemisphere sounded interesting. At least it did until I discovered that it felt like nothing so much as a mix of The Hunger Games and our own current racist world.

Opening in 2028 with a young black woman who faces terrible racism before she gives birth to the world's first invisible baby, the novel then moves 500 years into the future where society is bifurcated between the Dominant Population (DPs) and the second class Invisibles. Institutionally, the entire Northwestern Hemisphere (ostensibly including the former US) discriminates against the Invisibles, shunting them off to live away from the DPs, employing them in low level and menial tasks, providing them with addictive and life and energy restricting fast foods, rounding them up for tracking annually, etc.

Sweetmint, a young Invisible woman who goes by Candace in the greater DP world, is determined to rise beyond expectations and use her incredible intellect not only to help herself, but help the people she loves and lives with. She has, against all odds, earned an internship with the hemisphere's great inventor, giving her a glimpse into a world she's only dreamed of. But when the Chief Executive of the Northwestern Hemisphere is assassinated and the murder is pinned on Sweetmint's older brother Shanu, who has been missing and presumed dead for the past three years, she sets out on a quest to find him before the police and politicians do, jeopardizing everything she's earned so far. At the very least, she must find Shanu before one politician in particular, bloodthirsty and ruthless, does. Her search ultimately makes her question the truth as she knows it and question the people she thought she knew.

The world building here is rather uneven. There are pieces that are incredibly detailed, like the rumoyas (scents) that the Invisibles use to recognize each other, the elaborate ways instituted so that DPs can "see" Invisibles, and the mandated annual registration. There are other pieces that are vague or incomplete, like the reader is missing steps in a formula. On the whole though, the world of the novel is not appreciably different than our own. The parallels are obvious and unsubtle. Sweetmint's discovery of a resistance movement is a bit haphazard and comes out of nowhere, and the ending to the novel is incredibly rushed. The novel feels like it's trying to be a future novel but instead it comes across, in most ways, as one firmly grounded in our own present. There are aspects that could have been interesting if they had been more developed but over all, it was disappointing, derivative, and obvious. Hunger Games fans looking for a read-a-like might enjoy this but I didn't.

Thank you to the publisher for a copy of this book for review.

Friday, August 16, 2024

Review: The Covenant of Water by Abraham Verghese

After reading Abraham Verghese's Cutting for Stone, there was never any doubt that I'd read whatever Verghese wrote in the future. The compelling novel, The Covenant of Water, while slightly daunting in size, is an engrossing, transportative epic spanning three generations and seven decades Kerala, India and serves to cement Verghese as one of our most talented writers working today.

A twelve year girl grieving the death of father and a forty year old widower with a young son, both Malayali Christians, marry as the novel opens in 1900. This marriage establishes the family that we follow throughout the next 77 years. The girl, eventually known as Big Ammachi, lives a life filled with sorrow and tragedy (the family she's married into appears cursed, at least one member dying by drowning in each generation) but also one of expansive love. In parallel to the story of Big Ammachi and her family, is the story of a Scottish doctor named Digby Kilgour who comes to British India to work for the Indian Medical Service. How the two seemingly disparate plot lines come together is quite intricate and well done.

Because of the long time frame of the novel, Verghese has the chance to see his characters through enormous changes politically and socially, from the British Raj to an India that stands on its own. Some of these historical events have larger impacts on Big Ammachi's family than others do but all are woven seamlessly into the domestic story at the heart of the novel. The scope of the story is both broad and narrow, resulting in a colorful and diverse tapestry of a novel. There are some side plots that are more interesting than others (likely fully dependent on the reader) and some are more well developed than others but each has certainly earned its place in this wide-ranging, personal novel. Readers looking for an immersive experience filled with love and grief, tradition and novelty, colonialism and self-determination, and all of the history and variety that has forever characterized India will thrill to this impressive reading experience.

Tuesday, August 13, 2024

Waiting on Wednesday

This meme was hosted by Breaking the Spine and is meant to highlight some great pre-publication books we all can't wait to get our grubby little mitts on. I'm choosing to continue the tradition even though she has stopped.

Interpretations of Love by
Jane Campbell.
The book is being released by Grove Press on August 20, 2024.

The book's jacket copy says: During the week of Dr. Agnes Stacey's daughter's wedding, each of the eleven attendees in the small family gathering brings their own simmering tensions. Agnes's uncle, Professor Malcolm Miller, has harbored a family secret since Agnes's parents died in a car crash when she was a young girl. Dr. Joseph Bradshaw, who married into the family, has nursed a private obsession with Agnes since his brief stint as her therapist. Agnes herself is returning to her ex-husband's home for the first time, just as she's trying to extricate herself from a potent new love affair. Each one of these three has the tools to analyze the love lives of others, yet find themselves challenged to recognize the love in their own lives. As they all emerge from painful years in emotional isolation, Malcolm considers where better to lay bare the failures and secrets of one's advancing age than at an intimate celebration of love?

In this incisive and lively novel, Campbell parses the inner lives of ordinary people doing their best to process aftershocks of war, the parenting they do and don't receive, and the many different forms love can take in one family.

Monday, August 12, 2024

Review: The Life O'Reilly by Brian Cohen

When someone has the "life of Riley," they are said to have a comfortable, stress-free, and completely enjoyable life. It's not a stretch to be jealous of someone like that. Then again, how does one actually know that their life is so enviable behind the scenes? Brian Cohen's novel, The Life O'Reilly, shows that things are not always as they seem and that we should grab onto the only life we've been given while we still can.

Nick O'Reilly works for a high-powered Wall Street law firm and is very good at his job. He might have to defend crooks and liars but that's given him a Central Park apartment and the financial security that his parents never had. The only thing missing is a personal life. When his law firm gets some bad press, they elect him to do some pro bono work to rehabilitate their image. In representing Dawn Nelson, a victim of domestic violence fighting for sole custody of her young son, Nick gets a different view of life from the one he's been living and he starts to reevaluate what he wants in his own life and future. But the course of life does not always go smoothly.

The novel is told in the first person by Nick, making it rather odd when he describes his own expressions and actions: "I offered not a word, but a close-mouthed smile" and "I sighed heavily with agitation..." The writing is distractingly and overly descriptive and the language choices are often off, such as when describing a beautiful bride as having a "florid complexion." The story line is fine, a little predictable, but fine. All of the conflicts in the story are pretty easily dispensed with and the nuance of real life is missing. Cohen saves his elaboration for the set dressing (rooms, character descriptions, etc.) instead of for the pieces that move the plot forward, a technique better suited to movie or tv writing than in a novel. This, and the odd language, coupled with insta-love and what felt like an unearned, emotionally manipulative ending meant this book did not really work for me.

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