Waiting on Wednesday

This meme was hosted by Breaking the Spine and is meant to highlight some great pre-publication books we all can't wait to get our grubby little mitts on. I'm choosing to continue the tradition even though she has stopped.

Inheritance by Evelyn Toynton.

The book is being released by Other Press on September 17, 2019.

The book's jacket copy says: In this luminous novel about romance and illusion--and what's left of love when they're stripped away--an American Anglophile is drawn into the lives of a disintegrating aristocratic family.

After the sudden death of her husband, Annie Devereaux flees to England, site of the nostalgic fantasies her father spun for her before he deserted the family. A chance encounter in London leads Annie to cancel her return to New York and move in with Julian, the disaffected, moody son of Helena Denby, a famous British geneticist. As their relationship progresses, Annie meets Julian's sisters Isabel and Sasha, each of them fragile in her own way, and becomes infatuated with visions of their idyllic childhood in England's West Country. But the more she uncovers about Julian's past, the more he explodes into rage and violence. Finally tearing herself away, Annie winds up adrift in London, rescued from her loneliness only when she and Isabel form an unexpected bond.

Slowly, with Isabel as her reluctant guide, Annie learns of the emotional devastation that Helena's warped arrogance, her monstrous will to dominate, inflicted on her children. The family who once embodied Annie's idealized conception of England is actually caught in a nightmare of betrayal and guilt that spirals inexorably into tragedy.

It's Monday! What Are You Reading?

This meme is hosted by Kathryn at Reading Date.

Books I completed over the past few weeks are:

Tomorrow's Bread by Anna Jean Mayhew
Love You Hard by Abby Maslin
Unfurled by Michelle Bailat-Jones
The Book Woman of Troublesome Creek by Kim Michele Richardson
The Lost Flowers of Alice Hart by Holly Ringland

Bookmarks are still living in the middle of:

Smoke by Dan Vyleta
Coco Chanel by Lisa Chaney
The Resurrection of Joan Ashby by Cherise Wolas
The Bottom of the Sky by Rodrigo Fresan
A Breath of Snow and Ashes by Diana Gabaldon
The Confessions of Young Nero by Margaret George
The Flicker of Old Dreams by Susan Henderson
Speaking of Summer by Kalisha Buckhannon
Breaking the Ocean by Annahid Dashtgard
Hollow Kingdom by Kira Jane Buxton
The Ventriloquists by E.R. Ramzipoor
The Peacock Summer by Hannah Richell
A Stranger at My Table by Ivo de Figueiredo
The Tubman Command by Elizabeth Cobb
Something Like Breathing by Angela Readman
The Last Ocean by Nicci Gerrard
Vacationland by Sarah Stonich
Retablos by Octavio Solis
The Last Year of the War by Susan Meissner
Mrs. Everything by Jennifer Weiner

Reviews posted this week:

Reasons to Stay Alive by Matt Haig
Congratulations, Who Are You Again? by Harrison Scott Key
Living the Dream by Lauren Berry

Books still needing to have reviews written (as opposed to the ones that are simply awaiting posting):

The Magnetic Girl by Jessica Handle
Oh, Tama! by Mieko Kanai
The Immortalists by Chloe Benjamin
Exposed by Jean-Philippe Blondel
Here I Am! by Pauline Holdstock
All You Can Ever Know by Nicole Chung
Miss Blaine's Prefect and the Golden Samovar by Olga Wojtas
Ways to Hide in Winter by Sarah St. Vincent
The Book of Delights by Ross Gay
Granny’s Got a Gun by Harper Lin
White Elephant by Julie Langsdorf
At Briarwood School for Girls by Michael Knight
The Optimistic Decade by Heather Abel
All Ships Follow Me by Mieke Eerkens
Like This Afternoon Forever by Jaime Manrique
Gravity Well by Melanie Joosten
Motherhood So White by Nefertiti Austin
America's First Daughter by Stephanie Dray and Laura Kamoie
Dear Baba by Maryam Rafiee
Saint Everywhere by Mary Lea Carroll
All Systems Red by Martha Wells
Tonic and Balm by Stephanie Allen
Black Light by Kimberly King Parsons
In the Shadow of Wolves by Alvydas Slepikas
The Queen of Hearts by Kimmery Martin
CinderGirl by Christina Meredith
The Death of Noah Glass by Gail Jones
The Chelsea Girls by Fiona Davis
Autopsy of a Boring Wife by Marie-Renee Lavoie
The Fragments by Toni Jordan
The Question Authority by Rachel Cline
The Plaza by Julie Satow
The Lonely Bodybuilder by Yukiko Motoya
To Keep the Sun Alive by Rabeah Ghaffari
Haben by Haben Girma
The Paris Orphan by Natasha Lester
Educated by Tara Westover
State of the Union by Nick Hornby
Turbulence by David Szalay
What a Body Remembers by Karen Stefano
The Atlas of Reds and Blues by Devi S. Laskar
Questions I Am Asked About the Holocaust by Hedi Fried
Searching for Sylvie Lee by Jean Kwok
Vintage 1954 by Antoine Laurain
Peculiar Questions and Practical Answers by the New York Public Library
The Honey Bus by Meredith May
The Liar in the Library by Simon Brett
The Girls at 17 Swann Street by Yara Zgheib
Church of the Graveyard Saints by C. Joseph Greaves
Decorations in a Ruined Cemetery by John Gregory Brown
Ask Again, Yes by Mary Beth Keane
Moon of the Crusted Snow by Waubgeshig Rice
Advanced Physical Chemistry by Susannah Nix
Death of a Rainmaker by Laurie Lowenstein
No Good Asking by Fran Kimmel
Laurentian Divide by Sarah Stonich
The Abolitionist's Daughter by Diane C. McPhail
A London Country Diary by Tim Bradford
Crazy Cupid Love by Amanda Heger
A Moveable Feast edited by Don George
Tiny Hot Dogs by Mary Giuliani
Tomorrow's Bread by Anna Jean Mayhew
Love You Hard by Abby Maslin
Unfurled by Michelle Bailat-Jones
The Book Woman of Troublesome Creek by Kim Michele Richardson
The Lost Flowers of Alice Hart by Holly Ringland

Monday Mailbox

This past week's mailbox arrivals:

Meet Me in Monaco by Hazel Gaynor and Heather Webb came from LibraryThing Early Reviewers.


A novel about a young woman named Sophie in Monaco who becomes a close friend of Grace Kelly's, their long friendship, and the man who cannot stop thinking of Sophie, this sounds perfectly magical.

Obsessed by Elisabeth Bronfen came from me for me


I am salivating over this culinary memoir and cookbook written by a well known cultural critic.

If you want to see the marvelous goodies in other people's mailboxes, make sure to visit Mailbox Monday and have fun seeing how we are all doing our part to keep the USPS and delivery services viable.

Review: Living the Dream by Lauren Berry

Being a grownup is hard. When our older two children went off to college, we told them that we didn't expect them to know what they wanted to do with their lives at 18. As the oldest moves into the real world, we still don't expect him to know where his path is. Obviously his first job (yay for a fully employed kid!) is the first step on his path but there's no reason to expect that he knows with any certainty where that path will ultimately lead. Even people who have long had a very good idea of what they want to do (child #2 here) don't know how the path will get them where they want to go. And it's the stops along the way to a goal that shape a person, that make them who they are, and if they're lucky, turn them into adults. Lauren Berry's novel, Living the Dream, entertainingly details the life detour main character Emma has to make as she works toward her ultimate goal of being a writer.

Emma works at an advertising agency where she is quite good at her job as a "creative" but is often unrecognized and certainly underpaid and unfulfilled. What she really wants is to be a writer. From her best friend Clementine's perspective, Emma's life looks pretty good as after a year abroad doing an intensive and well-respected but very expensive graduate program, Clem has had to move back into her mother's house and work as a bartender while she waits impatiently to be discovered as the talented screenwriter she is. Neither Em nor Clem envisioned her adult life looking the way it is and both feel stuck waiting for their dreams to come true.

This is a funny and delightful look at the lives of young women in London figuring themselves and their lives out. Emma is struggling personally and professionally, her one glimmer of professional happiness being in the blog she writes on the side, her outlet for truth. Otherwise she is swamped in the tediousness of office life and in feeling like a sellout helping advertise companies in whom she doesn't believe. Clem doesn't want to sell out to the corporate world but she isn't moving forward any faster than Emma and she's always broke to boot. Both Em and Clem want to find happiness and fulfillment, which they try to do through a lot of boozy nights out, dating disasters, and kvetching to each other and their assorted friends but it takes actual movement and risk for anything to actually change in their lives.

Berry has written a terrifically entertaining novel about launching into adulthood, chasing dreams, and finding yourself. Emma is a complete delight and the cast of secondary characters around her are compelling and real feeling.  Clem is billed as a second main character but she really plays second fiddle to Emma in the novel.  There is certainly a lot of true to life angst here but the humor balances it out nicely so the reader never feels as if she's wallowing with the characters. As a mother of young adults, this novel does make me sad to think so many newly minted grownups are so unhappy and stuck in their lives, but it also gives me hope that finding the right path will happen, things will look brighter, and not everything along the way will be terrible. This quirky coming of age novel should appeal to others who remember their twenties with a shudder and a sigh of relief that they are through that fraught time and by those living through it who want to see themselves in these fun-loving but scared to make a move reflections of themselves.

Thanks to LibraryThing Early Reviewers and the publisher for sending me a copy of the book to review.

Review: Congratulations, Who Are You Again? by Harrison Scott Key

If you ever write anything that you share with others, people will likely tell you that you should write a book or you should get whatever snippet they've read published. But people generally have no concept of what writing a book (never mind the quality), getting it to a publishable state, and then, miracle of miracles, getting it traditionally published actually takes. It's not easy. And it can take years. If it ever happens at all. Harrison Scott Key's humorous memoir Congratulations, Who Are You Again? details the long and complicated journey he took to being a published author and while his experience is his alone, it is also universal enough to serve as a cautionary tale for those who think that writing a book is their ticket to fame and riches. Writing is a calling, publishing is simply a happy (read not guaranteed) outcome for that calling.

Key's first memoir, The World's Largest Man, focuses on his relationship with his father. It won The Thurber Prize for American Humor. So readers might be forgiven for thinking that Key had it all figured out as an author. This, his second memoir, shows just how hard he worked on that book to make it funny, to make it appear effortless, and even to get it down on the page in the first place. He knows that his first book has not only been published but has been successful by many measures as he's writing this one but he doesn't hesitate to pull back the curtain and really detail the grueling process, including harboring a long held dream that often felt out of reach or unrealistic, eleven years of writing around the other important things in his life (family, job, etc.), and the inside view of getting a book published including the marketing and touring, readings and interviews after the book comes out. Key is open and honest about his journey but also delightfully self-deprecating as he presents the highs and lows. He shares things about his personal process and about his private life, the highs and lows. He is a talented writer, truly able to make a reader laugh in places, often just as his numerous setbacks threaten to overwhelm and he balances both struggle and hope carefully. This is a testament to chasing a dream, nurturing it and cursing it but ultimately staying true to it. Key may not be a famous author, not immediately recognizable or a household name, but he's been successful at this difficult thing called writing for sure. Recommended for budding authors and those who are interested in an inside view of the publishing world from the author's perspective.

Thanks to LibraryThing Early Reviewers and the publisher for sending me a copy of this book for review.

Review: Reasons to Stay Alive by Matt Haig

Depression is a beast. It robs people of so much. But there's a stigma associated with it that keeps people from seeking treatment and getting the help they need to even have a chance to come through to the other side of it. Having people who have suffered publicly admit to their struggles without shame and offer hope is huge. Matt Haig's memoir Reasons to Stay Alive is without a doubt a raw, personal account of his battle with severe depression that helps to add to the conversation about this debilitating disease.

When Haig was in his early twenties, he descended into the fugue of severe depression. He describes the crippling effects on his life as he endured both depression and anxiety for years. He lets the reader see into the deepest, darkest hole he found himself living in, telling of his own experiences, giving facts about the black dog of depression, and offering glimpses of how he found reasons to stay alive even in the bleakest of his moments. Medication didn't work for Haig so there's not much information about how helpful they can be to those suffering and in fact Haig is rather skeptical of the efficacy of drugs given his own experience but he does appreciate the ongoing and unwavering support of his girlfriend (now wife) and his family during this horrible time in his life.

The memoir itself is short but powerful. It is a bit of a pastiche, having chapters of straight narrative, chapters where Haig addresses his suffering past self, lists, and more. It is honest, emotional, and ultimately hopeful. The memoir doesn't give any easy answers to his fellow sufferers but perhaps those with severe depression will see something of themselves in it and in seeing themselves, will find a way, like Haig did, to fight against this terrible, living nightmare.

Waiting on Wednesday

This meme was hosted by Breaking the Spine and is meant to highlight some great pre-publication books we all can't wait to get our grubby little mitts on. I'm choosing to continue the tradition even though she has stopped.

The Sisters of Summit Avenue by Lynn Cullen.

The book is being released by Gallery Books on September 10, 2019.

The book's jacket copy says: From Lynn Cullen, the bestselling author of Mrs. Poe and Twain’s End, comes a powerful novel set in the Midwest during the Great Depression, about two sisters bound together by love, duty, and pain.

Ruth has been single-handedly raising four young daughters and running her family’s Indiana farm for eight long years, ever since her husband, John, fell into a comatose state, infected by the infamous “sleeping sickness” devastating families across the country. If only she could trade places with her older sister, June, who is the envy of everyone she meets: blonde and beautiful, married to a wealthy doctor, living in a mansion in St. Paul. And June has a coveted job, too, as one of “the Bettys,” the perky recipe developers who populate General Mills’ famous Betty Crocker test kitchens. But these gilded trappings hide sorrows: she has borne no children. And the man she used to love more than anything belongs to Ruth.

When the two sisters reluctantly reunite after a long estrangement, June’s bitterness about her sister’s betrayal sets into motion a confrontation that’s been years in the making. And their mother, Dorothy, who’s brought the two of them together, has her own dark secrets, which might blow up the fragile peace she hopes to restore between her daughters.

An emotional journey of redemption, inner strength, and the ties that bind families together, for better or worse, The Sisters of Summit Avenue is a heartfelt love letter to mothers, daughters, and sisters everywhere.

It's Monday! What Are You Reading?

This meme is hosted by Kathryn at Reading Date.

Books I completed over the past few weeks are:

Congratulations, Who Are You Again? by Harrison Scott Key
A Moveable Feast edited by Don George
Tiny Hot Dogs by Mary Giuliani

Bookmarks are still living in the middle of:

Smoke by Dan Vyleta
Coco Chanel by Lisa Chaney
The Resurrection of Joan Ashby by Cherise Wolas
The Bottom of the Sky by Rodrigo Fresan
A Breath of Snow and Ashes by Diana Gabaldon
The Confessions of Young Nero by Margaret George
The Flicker of Old Dreams by Susan Henderson
Speaking of Summer by Kalisha Buckhannon
Breaking the Ocean by Annahid Dashtgard
Hollow Kingdom by Kira Jane Buxton
The Ventriloquists by E.R. Ramzipoor
The Peacock Summer by Hannah Richell
A Stranger at My Table by Ivo de Figueiredo
The Tubman Command by Elizabeth Cobb
Something Like Breathing by Angela Readman
The Last Ocean by Nicci Gerrard
Love You Hard by Abby Maslin
Vacationland by Sarah Stonich
Tomorrow's Bread by Anna Jean Mayhew

Reviews posted this week:

The Lost Daughter by Gill Paul

Books still needing to have reviews written (as opposed to the ones that are simply awaiting posting):

The Magnetic Girl by Jessica Handle
Oh, Tama! by Mieko Kanai
The Immortalists by Chloe Benjamin
Exposed by Jean-Philippe Blondel
Here I Am! by Pauline Holdstock
All You Can Ever Know by Nicole Chung
Miss Blaine's Prefect and the Golden Samovar by Olga Wojtas
Ways to Hide in Winter by Sarah St. Vincent
The Book of Delights by Ross Gay
Granny’s Got a Gun by Harper Lin
White Elephant by Julie Langsdorf
At Briarwood School for Girls by Michael Knight
The Optimistic Decade by Heather Abel
All Ships Follow Me by Mieke Eerkens
Like This Afternoon Forever by Jaime Manrique
Gravity Well by Melanie Joosten
Motherhood So White by Nefertiti Austin
America's First Daughter by Stephanie Dray and Laura Kamoie
Dear Baba by Maryam Rafiee
Saint Everywhere by Mary Lea Carroll
All Systems Red by Martha Wells
Tonic and Balm by Stephanie Allen
Black Light by Kimberly King Parsons
In the Shadow of Wolves by Alvydas Slepikas
The Queen of Hearts by Kimmery Martin
CinderGirl by Christina Meredith
The Death of Noah Glass by Gail Jones
The Chelsea Girls by Fiona Davis
Autopsy of a Boring Wife by Marie-Renee Lavoie
The Fragments by Toni Jordan
The Question Authority by Rachel Cline
The Plaza by Julie Satow
The Lonely Bodybuilder by Yukiko Motoya
To Keep the Sun Alive by Rabeah Ghaffari
Haben by Haben Girma
The Paris Orphan by Natasha Lester
Educated by Tara Westover
State of the Union by Nick Hornby
Turbulence by David Szalay
What a Body Remembers by Karen Stefano
The Atlas of Reds and Blues by Devi S. Laskar
Questions I Am Asked About the Holocaust by Hedi Fried
Searching for Sylvie Lee by Jean Kwok
Vintage 1954 by Antoine Laurain
Peculiar Questions and Practical Answers by the New York Public Library
The Honey Bus by Meredith May
The Liar in the Library by Simon Brett
The Girls at 17 Swann Street by Yara Zgheib
Church of the Graveyard Saints by C. Joseph Greaves
Decorations in a Ruined Cemetery by John Gregory Brown
Ask Again, Yes by Mary Beth Keane
Moon of the Crusted Snow by Waubgeshig Rice
Advanced Physical Chemistry by Susannah Nix
Death of a Rainmaker by Laurie Lowenstein
No Good Asking by Fran Kimmel
Laurentian Divide by Sarah Stonich
The Abolitionist's Daughter by Diane C. McPhail
A London Country Diary by Tim Bradford
Reasons to Stay Alive by Matt Haig
Crazy Cupid Love by Amanda Heger
Congratulations, Who Are You Again? by Harrison Scott Key
A Moveable Feast edited by Don George
Tiny Hot Dogs by Mary Giuliani

Monday Mailbox

I've been delinquent in posting the trio of books that were waiting for me when I got home from vacation. So here they are finally. Plus a bunch I got for myself this past week because I have no shelf control. This past week's mailbox arrivals (plus the several weeks' old trio):

Poor Caroline by Winifred Holtby came from me for me.

This sounds like a delightfully kooky novel about an eccentric woman and a large cast of characters swirling around her. British satire from between the wars? Yes, please!

Interior by Thomas Clerc came from Picador.

I love the idea of touring someone else's rooms via the objects in them so this intimate investigation into Clerc's life and person is completely intriguing.

Do You Mind If I Cancel? by Gary Janetti came from Flatiron Books.

With a title like this, how could I not want to read it?! This collection of essays is from a noted comedy writer so I'm looking forward to laughing happily as I read this one.

Beneath the Visiting Moon by Romilly Cavan came from me for me.

Said to be in the vein of I Capture the Castle, I am looking forward to this novel about a family living in genteel poverty as the mother starts to show an interest in a neighbor and the children grow up even as WWII is on the horizon.

Nothing to Report by Carola Oman came from me for me.

A cheerful English village and eccentric characters? I can never get enough of this sort of novel.

Being Mrs. Bennet by Alexa Adams came from me for me.

A Pride and Prejudice adjacent novel? Why yes, I think I will.

Open Mic Night in Moscow by Audrey Murray came from me for me.

This was supposed to to come to me through LibraryThing Early Reviewers but it has never arrived so I thought if I wanted to read it, I'd have to get it for myself. I am interested in this memoir and travelogue about a young comedian who travels to Russia.

The Bookshop on the Shore by Jenny Colgan came from me for me.

I thoroughly enjoy Colgan's sweet novels and can never resist one set in a bookshop.

Squashed Possums by Jonathan Tindale came from me for me.

Off the Beaten Path in New Zealand? This sounds like my kind of travelogue for sure.

Love at First Like by Hannah Orenstein came from me for me.

This is a contemporary romance where a jeweler misleads her Instagram followers into thinking she's engaged, earning the business a lot of money but complicating her actual love life. Sounds fun, right?

The Lady Travelers Guide to Happily Ever After by Victoria Alexander came from me for me.

I do enjoy the trope where a couple marries to avoid scandal but goes their separate ways only to eventually fall in love years later which this historical romance has in spades.

If you want to see the marvelous goodies in other people's mailboxes, make sure to visit Mailbox Monday and have fun seeing how we are all doing our part to keep the USPS and delivery services viable.

Waiting on Wednesday

This meme was hosted by Breaking the Spine and is meant to highlight some great pre-publication books we all can't wait to get our grubby little mitts on. I'm choosing to continue the tradition even though she has stopped.

Three Flames by Alan Lightman.

The book is being released by Counterpoint on September 3, 2019.

The book's jacket copy says: From the international bestselling author of Einstein’s Dreams comes a deeply compelling story about the lives of a Cambodian family—set between 1973, just before the Cambodian Genocide by the Khmer Rouge—to 2015.

The stories of one Cambodian family are intricately braided together in Alan Lightman's first work of fiction in seven years.

Three Flames portrays the struggles of a Cambodian farming family against the extreme patriarchal attitudes of their society and a cruel and dictatorial father, set in a rural community that is slowly being exposed to the modern world and its values. Ryna is a mother fighting against memories of her father's death at the hands of the Khmer Rouge and her powerful desire for revenge. Daughter Nita is married off at sixteen to a wandering husband, while her sister Thida is sent to the city to work in the factories to settle their father's gambling debt. Kamal, the only son, dreams of marrying the most beautiful girl in the village and escaping the life of a farmer. Yet it will be up to Sreypov, the youngest, to bravely challenge her father and strive for a better future. Three Flames is a vivid story of one family's yearning for freedom and of a young girl's courage to face down tradition.

Review: The Lost Daughter by Gill Paul

Who hasn't been intrigued by the fate of the Romanov family? Despite bodies and DNA evidence discovered outside of Ekaterinburg, there has long been speculation that one of the royal daughters, generally Anastasia, survived the execution and was rescued. Could anyone has survived the chaotic terror? In Gill Paul's most recent novel, it isn't Anastasia who survived, but Maria. The Lost Daughter is the story of her long life in hiding and the strange connection of this life to an abused wife in Australia.

In 1918, when the Romanovs were imprisoned in Ipatiev House, their circumstances were much reduced from what they had once enjoyed. Middle daughter Maria is bored but she is a pretty, charming, and outgoing young woman who cannot help but make friends with their guards, winning the men over with her genuine interest in them and their lives. She is sincerely unable to understand just how much danger she personally and her family collectively are in. And then the unimaginable happens. Her entire family is killed. Miraculously she survives and one of the young guards who she had previously befriended pulls her from the pile of bodies, runs into the woods, and takes her to safety. Peter is a good man and while they are on the run, he and Maria come to fall in love with each other, setting the course for the rest of their lives.

The novel jumps from the drama of the last days of tsarist Russia to 1973 in Australia where Val, a housewife who defied her father to marry young and without a school certificate, is trapped in a brutal and abusive marriage. Val has been estranged from her emotionally frigid, Russian father for seventeen years when she receives a call that he has been saying worrying things at his care home. He's been repeating "I didn't want to kill her" and Val is worried that he is referring to her Chinese mother, who disappeared when she was a young teenager. After his death, she is no closer to answers than she was before it but she becomes certain of one thing for sure: that she must take her daughter and leave her husband.

The novel moves back and forth between the seemingly unrelated stories of Maria and Val, from the terror of living through Stalin's purges and the horror of the siege of Leningrad to the struggle of a woman who doesn't even have the right to sue for divorce nor to expect child support. As Maria learns to live as one of the people, she is saved time and time again by her enduring love with Peter. She endures terrible hardship and great heartbreak but also the joy of family and the love of children. She knows who she is and the truth of her life even if that knowledge has to remain a secret. Val's life is full of secrets too. But it will take quite an effort to find out the truth of her mother's disappearance and her father's past. The way that the novel ultimately ties Maria's story with Val's is interesting and well done. The parallels between Maria and Val are subtle but there. Both are survivors willing to endure anything in the creating of a life worth living. Each has been victimized in horrible ways but finds the grace and resilience to build on the ashes of their pasts. In the early going, Maria's story is far more engaging than Val's but as the novel continues and Val starts to uncover the answers she seeks, her story takes on added interest as well. I had one small quibble with the novel in that Maria's children have the patronymic Alexandrovich/Alexandrovna when in fact it should have been Petrovich/Petrovna given their father's name is Peter and not Alexander. Other than that mistake, Paul has done an amazing amount of research and integrated the vast history of Russia and the Soviet Union into the narrative without ever making the reader feel as if they are reading a dry historical account. In fact, despite numbering almost 500 pages, I read this in one sitting, gripped by my interest in Maria and invested in finding out how Val's life connected to this Russian Grand Duchess. I predict that other historical fiction fans will thoroughly enjoy this alternate history and perhaps it will even leave them wishing that one of the daughters, and this daughter in particular, had escaped.

For more information about Gill Paul and the book, check our her author website, follow her on Twitter or Instagram, look at the book's Goodreads page, follow the rest of the blog tour, or look at the reviews for others' thoughts and opinions on the book.

Thanks to Trish from TLC Book Tours and publisher William Morrow for inspiring me to pull the book off my shelf to read and review.

It's Monday! What Are You Reading?

This meme is hosted by Kathryn at Reading Date.

Books I completed over the past few weeks are:

The Chocolate Maker's Wife by Karen Brooks
Reasons to Stay Alive by Matt Haig
Crazy Cupid Love by Amanda Heger
The Lost Daughter by Gill Paul

Bookmarks are still living in the middle of:

Smoke by Dan Vyleta
Coco Chanel by Lisa Chaney
The Resurrection of Joan Ashby by Cherise Wolas
The Bottom of the Sky by Rodrigo Fresan
A Breath of Snow and Ashes by Diana Gabaldon
The Confessions of Young Nero by Margaret George
A Moveable Feast edited by Don George
Speaking of Summer by Kalisha Buckhannon
Breaking the Ocean by Annahid Dashtgard
Hollow Kingdom by Kira Jane Buxton
The Ventriloquists by E.R. Ramzipoor
The Peacock Summer by Hannah Richell
A Stranger at My Table by Ivo de Figueiredo
The Tubman Command by Elizabeth Cobb
Something Like Breathing by Angela Readman
The Last Ocean by Nicci Gerrard
Love You Hard by Abby Maslin
Vacationland by Sarah Stonich

Reviews posted this week:

The Chocolate Maker's Wife by Karen Brooks

Books still needing to have reviews written (as opposed to the ones that are simply awaiting posting):

The Magnetic Girl by Jessica Handle
Oh, Tama! by Mieko Kanai
The Immortalists by Chloe Benjamin
Exposed by Jean-Philippe Blondel
Here I Am! by Pauline Holdstock
All You Can Ever Know by Nicole Chung
Miss Blaine's Prefect and the Golden Samovar by Olga Wojtas
Ways to Hide in Winter by Sarah St. Vincent
The Book of Delights by Ross Gay
Granny’s Got a Gun by Harper Lin
White Elephant by Julie Langsdorf
At Briarwood School for Girls by Michael Knight
The Optimistic Decade by Heather Abel
All Ships Follow Me by Mieke Eerkens
Like This Afternoon Forever by Jaime Manrique
Gravity Well by Melanie Joosten
Motherhood So White by Nefertiti Austin
America's First Daughter by Stephanie Dray and Laura Kamoie
Dear Baba by Maryam Rafiee
Saint Everywhere by Mary Lea Carroll
All Systems Red by Martha Wells
Tonic and Balm by Stephanie Allen
Black Light by Kimberly King Parsons
In the Shadow of Wolves by Alvydas Slepikas
The Queen of Hearts by Kimmery Martin
CinderGirl by Christina Meredith
The Death of Noah Glass by Gail Jones
The Chelsea Girls by Fiona Davis
Autopsy of a Boring Wife by Marie-Renee Lavoie
The Fragments by Toni Jordan
The Question Authority by Rachel Cline
The Plaza by Julie Satow
The Lonely Bodybuilder by Yukiko Motoya
To Keep the Sun Alive by Rabeah Ghaffari
Haben by Haben Girma
The Paris Orphan by Natasha Lester
Educated by Tara Westover
State of the Union by Nick Hornby
Turbulence by David Szalay
Southernmost by Silas House
What a Body Remembers by Karen Stefano
The Atlas of Reds and Blues by Devi S. Laskar
Questions I Am Asked About the Holocaust by Hedi Fried
Searching for Sylvie Lee by Jean Kwok
Vintage 1954 by Antoine Laurain
Peculiar Questions and Practical Answers by the New York Public Library
The Honey Bus by Meredith May
The Liar in the Library by Simon Brett
The Girls at 17 Swann Street by Yara Zgheib
Church of the Graveyard Saints by C. Joseph Greaves
Decorations in a Ruined Cemetery by John Gregory Brown
Ask Again, Yes by Mary Beth Keane
Moon of the Crusted Snow by Waubgeshig Rice
Advanced Physical Chemistry by Susannah Nix
Death of a Rainmaker by Laurie Lowenstein
No Good Asking by Fran Kimmel
Laurentian Divide by Sarah Stonich
The Abolitionist's Daughter by Diane C. McPhail
A London Country Diary by Tim Bradford
Reasons to Stay Alive by Matt Haig
Crazy Cupid Love by Amanda Heger
The Lost Daughter by Gill Paul

Waiting on Wednesday

This meme was hosted by Breaking the Spine and is meant to highlight some great pre-publication books we all can't wait to get our grubby little mitts on. I'm choosing to continue the tradition even though she has stopped.

Don't Put the Boats Away by Ames Sheldon.

The book is being released by She Writes Press on August 27, 2019.

The book's jacket copy says: In the aftermath of World War II, the members of the Sutton family are reeling from the death of their “golden boy,” Eddie. Over the next twenty-five years, they all struggle with loss, grief, and mourning. Daughter Harriet and son Nat attempt to fill the void Eddie left behind: Harriet becomes a chemist despite an inhospitable culture for career women in the 1940s and ’50s, hoping to move into the family business in New Jersey, while Nat aims to be a jazz musician. Both fight with their autocratic father, George, over their professional ambitions as they come of age. Their mother, Eleanor, who has PTSD as a result of driving an ambulance during the Great War, wrestles with guilt over never telling Eddie about the horrors of war before he enlisted. As the members of the family attempt to rebuild their lives, they pay high prices, including divorce and alcoholism―but in the end, they all make peace with their losses, each in his or her own way.

Review: The Chocolate Maker's Wife by Karen Brooks

Can you imagine a world without chocolate? Or a world where chocolate was brand new and extremely expensive, a luxury? A world where you couldn't just go to the pantry for a chocolate bar or some hot cocoa? Restoration London was such a place. Chocolate was just being introduced as major historical events swept through the capital and political intrigue and persecution were rife. Karen Brooks has set her latest novel, The Chocolate Maker's Wife, smack dab in the middle of all this foment, stirred in some family drama, secrets, and scandal, and poured out a complex and swirling historical fiction.

Rosamunde is the illegitimate daughter of a nobleman. She was raised in her late father's household until the death of her grandmother when Rosamunde was eight at which time she went to live with her mother, stepfather, and step-brothers in the family's tavern and inn.  Blossoming into a beautiful girl, she is abused by her stepfather and step-brothers and mostly ignored by her mother. She is rescued from this terrible existence when she is run down by Sir Everard Blithman, who is persuaded to marry the filthy, smelly young woman. Roasmunde doesn't fully understand why her new husband, after a closer look at her, agrees to pay her parents for her and beyond that to actually marry her. Even once she understands that she greatly resembles his much beloved, late daughter, she doesn't fully comprehend his intentions, nor will she for many years but she is determined to be an asset to the Blithman name, loyal and obedient. Sir Everard acquaints her with the sad history of his family and all of the losses he's suffered, laying several of those losses at the feet of Matthew Lovelace, his former son-in-law. When Everard marries Rosmaunde, he is in the midst of creating a chocolate house, akin to a coffee house, complete with a Spaniard who knows how to brew the most delectable chocolate drink and Everard intends to install Rosamunde in the chocolate house to pour chocolate, increase their profits, and to enact an exquisite piece of revenge. The chocolate house, his beautiful young wife, doppelganger of his daughter, his former son-in-law's appearance, and the secrets and lies underneath everything are just the starting point for this sweeping historical novel.

Brooks has clearly done an immense amount of research into the time period, the plague, the Great Fire of London, and the preparation of chocolate. The details she includes are fascinating and impressive. Real life historical figures stroll through the pages of the novel with Samuel Pepys even becoming one of the major characters. She has captured the sense of chocolate houses as gathering places for the dissemination of news and gossip, for aboveboard and under the table planning, and for being one of the beating hearts of an area. Her evocation of place is completely on target. As for characters, Rosamunde has a few too many modern sensibilities to be entirely believable. She is also painted as an absolute paragon of strong and capable womanhood, smart, beautiful, and caring. She cares about the personhood of slaves, she is religiously tolerant, she sees the terrible plight of the poor and hires them in order to help them, she ignores society's views of women and is determined to chart her own course. She has been sorely used in her life but she is forgiving and gentle and kind. In opposition to Rosamunde, who is frequently described for her beautiful smile and her contagious laugh or as a ray of sunshine, the baddies here are completely evil with not one redeeming or pitiable quality at all. Instead they are brutish and horrifying or they are nefarious and scheming. And in fact, there is a strand of good versus evil running through the book but there seem to be no shades of gray. This is a story of the power and danger of words and literacy, of created family, and of the sordidness of the world and the triumph of love (and chocolate). There is a very strong romantic element here and the story is very dramatic and action filled. It is a long novel, spanning only five years but a five years that changed London as quickly and irrevocably as any time period before or since.

For more information about Karen Brooks and the book, check our her author website, like her on Facebook, follow her on Twitter, look at the book's Goodreads page, follow the rest of the blog tour, or look at the reviews for others' thoughts and opinions on the book.

Thanks to Trish from TLC Book Tours and publisher William Morrow for inspiring me to pull the book off my shelf to read and review.

It's Monday! What Are You Reading?

This meme is hosted by Kathryn at Reading Date.

Books I completed over the past few weeks are:

Decorations in a Ruined Cemetery by John Gregory Brown
Moon of the Crusted Snow by Waubgeshig Rice
Advanced Physical Chemistry by Susannah Nix
Death of a Rainmaker by Laurie Lowenstein
No Good Asking by Fran Kimmel
Laurentian Divide by Sarah Stonich
The Abolitionist's Daughter by Diane C. McPhail
A London Country Diary by Tim Bradford
The Lost Vintage by Ann Mah
The Accidentals by Minrose Gwin

Bookmarks are still living in the middle of:

Smoke by Dan Vyleta
Coco Chanel by Lisa Chaney
The Resurrection of Joan Ashby by Cherise Wolas
The Bottom of the Sky by Rodrigo Fresan
A Breath of Snow and Ashes by Diana Gabaldon
The Confessions of Young Nero by Margaret George
A Moveable Feast edited by Don George
Speaking of Summer by Kalisha Buckhannon
Breaking the Ocean by Annahid Dashtgard
Ask Again, Yes by Mary Beth Keane
Hollow Kingdom by Kira Jane Buxton
The Ventriloquists by E.R. Ramzipoor
The Peacock Summer by Hannah Richell
A Stranger at My Table by Ivo de Figueiredo
The Tubman Command by Elizabeth Cobb
Something Like Breathing by Angela Readman
The Last Ocean by Nicci Gerrard
Love You Hard by Abby Maslin
Vacationland by Sarah Stonich
Crazy Cupid Love by Amanda Heger
The Chocolate Maker's Wife by Karen Brooks

Reviews posted this week:

America for Beginners by Leah Franqui
Plus One by Christopher Noxon
The Lost Vintage by Ann Mah
The Accidentals by Minrose Gwin

Books still needing to have reviews written (as opposed to the ones that are simply awaiting posting):

The Magnetic Girl by Jessica Handle
Oh, Tama! by Mieko Kanai
The Immortalists by Chloe Benjamin
Exposure by Jean-Philippe Blondel
Here I Am! by Pauline Holdstock
All You Can Ever Know by Nicole Chung
Miss Blaine's Prefect and the Golden Samovar by Olga Wojtas
Ways to Hide in Winter by Sarah St. Vincent
The Book of Delights by Ross Gay
Granny’s Got a Gun by Harper Lin
White Elephant by Julie Langsdorf
At Briarwood School for Girls by Michael Knight
The Optimistic Decade by Heather Abel
All Ships Follow Me by Mieke Eerkens
Like This Afternoon Forever by Jaime Manrique
Gravity Well by Melanie Joosten
Motherhood So White by Nefertiti Austin
America's First Daughter by Stephanie Dray and Laura Kamoie
Dear Baba by Maryam Rafiee
Saint Everywhere by Mary Lea Carroll
All Systems Red by Martha Wells
Tonic and Balm by Stephanie Allen
Black Light by Kimberly King Parsons
In the Shadow of Wolves by Alvydas Slepikas
The Queen of Hearts by Kimmery Martin
CinderGirl by Christina Meredith
The Death of Noah Glass by Gail Jones
The Chelsea Girls by Fiona Davis
Autopsy of a Boring Wife by Marie-Renee Lavoie
The Fragments by Toni Jordan
The Question Authority by Rachel Cline
The Plaza by Julie Satow
The Lonely Bodybuilder by Yukiko Motoya
To Keep the Sun Alive by Rabeah Ghaffari
Haben by Haben Girma
The Paris Orphan by Natasha Lester
Educated by Tara Westover
State of the Union by Nick Hornby
Turbulence by David Szalay
Southernmost by Silas House
What a Body Remembers by Karen Stefano
The Atlas of Reds and Blues by Devi S. Laskar
Questions I Am Asked About the Holocaust by Hedi Fried
Searching for Sylvie Lee by Jean Kwok
Vintage 1954 by Antoine Laurain
Peculiar Questions and Practical Answers by the New York Public Library The Honey Bus by Meredith May
The Liar in the Library by Simon Brett
The Girls at 17 Swann Street by Yara Zgheib
Church of the Graveyard Saints by C. Joseph Greaves
Decorations in a Ruined Cemetery by John Gregory Brown
Moon of the Crusted Snow by Waubgeshig Rice
Advanced Physical Chemistry by Susannah Nix
Death of a Rainmaker by Laurie Lowenstein
No Good Asking by Fran Kimmel
Laurentian Divide by Sarah Stonich
The Abolitionist's Daughter by Diane C. McPhail
A London Country Diary by Tim Bradford

Review: The Accidentals by Minrose Gwin

One decision has the power to send a life off course. A big enough decision can send several lives off course. When birds spin out of their usual habitats or migratory paths, they are called accidentals. But people too can be accidentals, out of place and alone, as are the characters in Minrose Gwin's newest novel, The Accidentals.

In 1957 rural Mississippi, about an hour from New Orleans, Olivia McAlister finds herself pregnant again. Already depressed and stifled by her very constrained and prescribed life as a wife and mother, she who had grown up in New Orleans and worked during WWII, Olivia cannot go through with another pregnancy and so she makes the fateful decision to have a backwoods abortion. This decision will reverberate in her family's life for decades, leaving her husband reeling, her daughters motherless and adrift, and will eventually touch the lives of those completely unrelated to her. This botched abortion sets off a chain of events that feels both inevitable and deeply sad.

Grace and June are Olivia's daughters and they are forever marked by their mother's decision, leading them to make their own fateful choices. The chapter narration switches back and forth, mostly between Grace and June but also including the first chapter from Olivia, chapters from their father Holly, and from Ed Mae, a black woman working in an orphanage for white babies, and Fred the Ambulance Driver, who responds to a call from that orphanage. The very disparate voices allow Gwin to both tell aspects of the story that Grace and June couldn't possibly know without forcing information where it doesn't belong and to show how each decision in one life ripples out and affects others seemingly unconnected. The novel takes on a plethora of social issues: abortion, teenage pregnancy, adoption, homosexuality, racism, opportunities for women, and so much more as it spins through some of the major events (the moon landing, the Cuban Missile Crisis, Vietnam, the Challenger disaster, and Obama's first presidential campaign to name a few) of the second half of the twentieth century and into the present. The novel has an air of deep, pervading sorrow weaving through it, a story of lives lived out of place and alone. It moves slowly through Grace and June's early lives but then picks up speed and races through their adulthood, skipping quickly through large swathes of time, sometimes leaving the reader a little confused as to just where the story stands in time. The pacing is uneven and the ending is both too tidy and out of keeping with the rest of the novel. Despite this, the writing is beautiful and it is clear that Gwin is talented, if perhaps a little lost at the end. Her McAlisters are a family broken by their mother's death, young women who continue to cycle through feelings of betrayal and a desire for forgiveness throughout the years, never quite regaining their closeness but always remaining tied to each other, no matter how loosely.

For more information about Minrose Gwin and the book, check our her author website, look at the book's Goodreads page, follow the rest of the blog tour, or look at the reviews for others' thoughts and opinions on the book.

Thanks to Trish from TLC Book Tours and publisher William Morrow for inspiring me to pull the book off my shelf to read and review.

Waiting on Wednesday

This meme was hosted by Breaking the Spine and is meant to highlight some great pre-publication books we all can't wait to get our grubby little mitts on. I'm choosing to continue the tradition even though she has stopped.

The Reckless Oath We Made by Bryn Greenwood.

The book is being released by G. P. Putnam's Sons on August 20, 2019.

The book's jacket copy says: A provocative love story between a tough Kansas woman on a crooked path to redemption and the unlikeliest of champions, from the New York Times bestselling author of All the Ugly and Wonderful Things.

Zee is nobody's fairy tale princess. Almost six-foot, with a redhead's temper and a shattered hip, she has a long list of worries: never-ending bills, her beautiful, gullible sister, her five-year-old nephew, her housebound mother, and her drug-dealing boss.

Zee may not be a princess, but Gentry is an actual knight, complete with sword, armor, and a code of honor. Two years ago the voices he hears called him to be Zee's champion. Both shy and autistic, he's barely spoken to her since, but he has kept watch, ready to come to her aid.

When an abduction tears Zee's family apart, she turns to the last person she ever imagined--Gentry--and sets in motion a chain of events that will not only change both of their lives, but bind them to one another forever.

Waiting on Wednesday

This meme was hosted by Breaking the Spine and is meant to highlight some great pre-publication books we all can't wait to get our grubby little mitts on. I'm choosing to continue the tradition even though she has stopped.

The Last Post by Renee Carlino.

The book is being released by Rutgers University Press on August 9, 2019.

The book's jacket copy says: “See you on the other side.”

Laya Marston’s husband, Cameron, a daredevil enthusiast, always said this before heading off on his next adventure. He was the complete opposite of her, ready and willing to dive off a cliff-face, or parachute across a canyon—and Laya loved him for it. But she was different: pragmatic, regimented, devoted to her career and to supporting Cameron from the sidelines of his death-defying feats.

Opposites attract, right?

But when Cameron dies suddenly and tragically, all the stages of grief go out the window. Laya becomes lost in denial, living in the delusion that Cameron will come back to her. She begins posting on his Facebook page, reminiscing about their life together, and imagining new adventures for the two of them.

Micah Evans, a young and handsome architect at Laya’s father’s firm, is also stuck––paralyzed by the banal details of his career, his friendships, and his love life. He doesn’t know what he’s looking for, only that there is someone out there who can bring energy and spirit to the humdrum of his life.

When Micah discovers Laya’s tragic and bizarre Facebook posts, he’s determined to show Laya her life is still worth living. Leaving her anonymous gifts and notes, trying to recreate the sense of adventure she once shared with her late husband, Micah finds a new passion watching Laya come out of the darkness. And Laya finds a new joy in the experiences Micah has created for her.

But for Laya, letting another man in still feels like a betrayal to her late husband. Even though Micah may be everything she could wish for, she wonders if she deserves to find happiness again.

Written with Renée Carlino’s signature “tender and satisfying” (Taylor Jenkins Reid, author of Maybe in Another Life) prose, this warm and compassionate novel shows us how powerful the courage to love and live again truly is.

Review: The Lost Vintage by Ann Mah

Wines and France are pretty much synonymous. Many of the categories of wine that we Americans use generically are named for specific regions in France and experts would not be so sloppy as to refer to a wine not from that region by that name. In fact, there's a lot that experts know that the general wine drinking population doesn't know and there are rigorous and exacting tests to pass for those wanting the prestige of an official designation and the job opportunities that recognition opens up. The main character in Ann Mah's novel The Lost Vintage has a long history connected to wine and needs to take that final step and earn the impossibly difficult Master of Wine.

Kate is a sommelier in California and she's studying for her last chance at passing the Master of Wine test. Her biggest weakness, the blind spot on her previous two failed tests, is French white wines. Determined to finally pass this important test, Kate, whose mother is French, returns to the family vineyard in Burgundy to really focus. As she reconnects with her best friend Heather, now married to Kate's cousin Nico, she slides into life at the domaine easily, despite her lingering discomfort over how her own relationship with family friend Jean-Luc ended a decade ago. Kate helps with les vendages and also tackles the overwhelming clutter in the old farmhouse basement with Heather. As the women clear out decades of both junk and keepsakes, Kate uncovers an old suitcase filled with clothes and a family picture with an unknown young woman in it. Drawn to the woman in the photograph, Kate slowly uncovers more about who she is and just exactly why Kate's Uncle Philippe wants her digging into the past to stop.

The story is told in two narrative arcs, one of Kate in the modern day and one through the teenaged Helene's WWII diary. Although Kate is studying for the Master of Wine certification, this is only tangentially a novel about wine. It is far more about secrets, the shame of the past, the weight of history, truth, family, and what the future owes to the past. What Kate and Heather discover leaves them with very complicated feelings about the family legacy and upends their present. Do they maintain the stoic silence of previous generations or do they allow everything to come to light, the good and the terrible both? In a small way, Heather and Nico's desire to turn the farmhouse into a bed and breakfast over Uncle Philippe's vehement unwillingness mirrors the question of what to do with their newfound knowledge. Helene's diary isn't the only thing that Kate uncovers in the basement though.  Her startling discovery is accidental but there are others knowingly looking for this hidden room and its valuable contents, adding some outside tension to Kate's inner turmoil. This piece was far weaker than the much more compelling plot lines of Kate's reckoning with family ghosts and Helene's life during and immediately after the war.  In fact, this third plot line faded in and out of the story without really adding much to it. But the other two story lines were quite compelling. Kate is a character the reader will sympathize with. Her past (and present) relationship with Jean-Luc might be frustrating (and sometimes a bit thin) but her dogged interest in the hidden past of her family is completely relatable. Helene is fascinating and her diary is a good chance for Mah to describe the realities of the war, the Resistance, and collaborators in ways that Kate (and potentially the readers as well) wouldn't necessarily have learned. As the diary entries continue alongside Kate's suppositions from Heather's and her other research, the reader wonders when she'll find this primary source and how that will change her reckoning. A fast and engrossing read, this is a satisfying family drama, a small window into the life of a vintner, and an enjoyable historical fiction offering an inside view of Vichy France and the continued repercussions of the Nazi Occupation.

For more information about Ann Mah and the book, check our her author website, like her on Facebook, follow her on Twitter or Instagram, check out her boards on Pinterest, look at the book's Goodreads page, follow the rest of the blog tour, or look at the reviews for others' thoughts and opinions on the book.

Thanks to Trish from TLC Book Tours and publisher William Morrow for inspiring me to pull the book off my shelf to read and review.

Review: Plus One by Christopher Noxon

Despite the improvements we've made, we as a society still tend to think of the husband as the breadwinner in the family. He is the one who brings home the bacon. His career has priority if both spouses work. And if anyone is going to stay at home with the kids, it is the wife. Now, this is not, of course, universally true, and I personally know several marriages where this is not the dynamic, but it is still the prevailing view in society for sure. We somehow equate the woman making more money than her spouse as somehow emasculating to her partner so it's interesting to read a novel where the very premise is that of a wife who hits the big time while her husband chooses to quit his job and stay at home with their children, taking over the domestic home front, as is the case in Christopher Noxon's novel Plus One.

Figgy Sherman-Zicklin is a TV writer who has hit the big time. She's won an Emmy while her husband Alex has quit his job writing advertising copy for a non-profit in order to stay home and pick up the slack now that Figgy is working at all hours and barely has time to participate in family life. This makes Alex Figgy's "plus one," a stay at home dad whose wife is far more successful than he is. And it's not easy to be a plus one anywhere but it seems to be especially hard to be one in Hollywood. No one knows or cares who he is while the sudden spotlight of success shines brightly on Figgy. Both Alex and Figgy have to adjust to their new roles and Alex in particular really struggles with defining himself now. He watches the other plus one husbands around him for ideas but rejecting their roles leaves him rather adrift. The question becomes whether Figgy and Alex, their family and their marriage, will survive this change in circumstance.

Noxon knows of what he writes, married to a successful television writer himself. His Alex is funny and insecure, frustrating and entertaining. Figgy is capable and smart, driven and pragmatic. They make a good pair, until they don't; or maybe they still do and they just have to figure it all out. The way that they examine and renegotiate their relationship is realistic and universal, so similar to the way that all long time marriages expand, grow, and change. The gentle mocking of the Hollywood lifestyle is well done and there is a good bit of humor woven through the novel. Alex's struggles might not be easy to be overly sympathetic to but he is just as trapped by societal norms as any good little housewife so his rebellion, while frustrating, is completely understandable. Over the long haul, the Sherman-Zicklin marriage, whether in danger or just readjusting, is fun to peek in on and the end of the novel is a gem. You'll root for Alex to find his purpose and for Figgy to find a balance. This novel is a happily satisfying look at love, parenting, marriage, and power in Hollywood.

Thanks to LibraryThing Early Reviewers for sending me a copy of this book to review.